Votre Faust is an opera composed by Michel Butor and Henri Pousseur. This article will show how language and music interact in this opera. Votre Faust redefines the relations between text and music since language is not only part of the dialogue between the actors: musicians and singers, too, have words to say. There is a continuum between music and language – with language being sometimes used because of its sonorities, beyond understanding, whereas music can pass a message.
There is no evidence in taking for granted the Great Divide between musica and parola: Emerging genr...
Transcript of SÉANCES DE MUSIQUE INSTRUMENTALE, DONNÉES PAR MM. LISZT, URHAN ET BATTA by Joseph d'Or...
Transcript of MUSIQUE by Joseph d'Ortigue, appearing in LA QUOTIDIENNE, 20 avril 1834, pp. 1–2
Lully’s and Quinault’s tragédie en musique raises the question of the linkages and coordination betw...
This article, which aims to bridge the gap between musicology and linguistics, deals with the intera...
Transcript of CHRONIQUE MUSICALE by Paul Dukas, appearing in LA REVUE HEBDOMADAIRE, 28 octobre 1893,...
International audienceEtude du Sablier du Phénix de Michel Butor et de son rapport à la musique de R...
Votre Faust est une « fantaisie variable genre opéra ». Cette dénomination, choisie par ses deux aut...
Françoise Greniers article is a careful analysis of the five volumes of Chansons d'Acadie to show th...
Music in Duras’s works – analysed primarily in terms of intertextuality – is an element that creates...
Transcript of REVUE MUSICALE [FEUILLETON DU JOURNAL DES DÉBATS] by Joseph d'Ortigue, appearing in JO...
International audienceLa musique de la seconde moitié du XIXe siècle se revendique volontiers de l...
Transcript of CHRONIQUE MUSICALE by Paul Dukas, appearing in LA REVUE HEBDOMADAIRE, 11 novembre 1892...
Transcript of DE LA QUESTION MUSICALE ACTUELLE À L’OCCASION DE LA MESSE DE REQUIEM DE M. H. BERLIOZ ...
Transcript of MUSIQUE by Camille Saint-Saëns writing as Phémius, appearing in LA RENAISSANCE LITTÉRA...
There is no evidence in taking for granted the Great Divide between musica and parola: Emerging genr...
Transcript of SÉANCES DE MUSIQUE INSTRUMENTALE, DONNÉES PAR MM. LISZT, URHAN ET BATTA by Joseph d'Or...
Transcript of MUSIQUE by Joseph d'Ortigue, appearing in LA QUOTIDIENNE, 20 avril 1834, pp. 1–2
Lully’s and Quinault’s tragédie en musique raises the question of the linkages and coordination betw...
This article, which aims to bridge the gap between musicology and linguistics, deals with the intera...
Transcript of CHRONIQUE MUSICALE by Paul Dukas, appearing in LA REVUE HEBDOMADAIRE, 28 octobre 1893,...
International audienceEtude du Sablier du Phénix de Michel Butor et de son rapport à la musique de R...
Votre Faust est une « fantaisie variable genre opéra ». Cette dénomination, choisie par ses deux aut...
Françoise Greniers article is a careful analysis of the five volumes of Chansons d'Acadie to show th...
Music in Duras’s works – analysed primarily in terms of intertextuality – is an element that creates...
Transcript of REVUE MUSICALE [FEUILLETON DU JOURNAL DES DÉBATS] by Joseph d'Ortigue, appearing in JO...
International audienceLa musique de la seconde moitié du XIXe siècle se revendique volontiers de l...
Transcript of CHRONIQUE MUSICALE by Paul Dukas, appearing in LA REVUE HEBDOMADAIRE, 11 novembre 1892...
Transcript of DE LA QUESTION MUSICALE ACTUELLE À L’OCCASION DE LA MESSE DE REQUIEM DE M. H. BERLIOZ ...
Transcript of MUSIQUE by Camille Saint-Saëns writing as Phémius, appearing in LA RENAISSANCE LITTÉRA...
There is no evidence in taking for granted the Great Divide between musica and parola: Emerging genr...
Transcript of SÉANCES DE MUSIQUE INSTRUMENTALE, DONNÉES PAR MM. LISZT, URHAN ET BATTA by Joseph d'Or...
Transcript of MUSIQUE by Joseph d'Ortigue, appearing in LA QUOTIDIENNE, 20 avril 1834, pp. 1–2