The method for torturing prisoners at Abu Ghraib was chosen because it was assumed that the Islamic modesty system, or hejab, makes Muslims especially vulnerable to shame. Through an examination of the films of the Iranian filmmaker, Abbas Kiarostami, who directs films under the censorship rules imposed by hejab, and an examination of the philosophical and psychoanalytic literature on shame, this paper calls into question both the assumption of the torturers and many of the restraints of the modesty system
This article will attempt to effect an intervention in the general thinking about the veil as an une...
It is widely accepted that Abbas Kiarostami’s cinema revolves around the representation of the gaze....
The study discusses the evolution of Pakistani cinema as a gendered medium to analyse the changes i...
The specific type of torture to which Abu Ghraib prisoners were submitted was predicated on the assu...
This study addresses the relationship between the veil and the constitution of what I have tenned th...
Iran has a long history of cinema. In fact, this year it celebrates its ninety-first year as a major...
This article reconsiders some Western textual and visual (mis)representations of Muslim women as men...
My presentation explores the aesthetics of passivity in in Chronicle of a Disappearance (1996) by th...
The representation of religious figures in Islam has become particularly controversial in recent yea...
Gönül Dönmez-Colin's book, Women, Islam and Cinema, comes not a day too soon. At a time when controv...
Historically, Muslim female bodies have been a key focus of attention in colonial and patriarchal di...
The primary aim of this thesis is to explore negative representations of Arabs and Muslims through a...
In post-revolutionary Iran, cinema became a medium for social critique of the prevailing issues in m...
Said (1979) explains that the media over time has been populated with negative stereotypes that seek...
While the cinema of post-revolutionary Iran is internationally acknowledged, the world outside Iran ...
This article will attempt to effect an intervention in the general thinking about the veil as an une...
It is widely accepted that Abbas Kiarostami’s cinema revolves around the representation of the gaze....
The study discusses the evolution of Pakistani cinema as a gendered medium to analyse the changes i...
The specific type of torture to which Abu Ghraib prisoners were submitted was predicated on the assu...
This study addresses the relationship between the veil and the constitution of what I have tenned th...
Iran has a long history of cinema. In fact, this year it celebrates its ninety-first year as a major...
This article reconsiders some Western textual and visual (mis)representations of Muslim women as men...
My presentation explores the aesthetics of passivity in in Chronicle of a Disappearance (1996) by th...
The representation of religious figures in Islam has become particularly controversial in recent yea...
Gönül Dönmez-Colin's book, Women, Islam and Cinema, comes not a day too soon. At a time when controv...
Historically, Muslim female bodies have been a key focus of attention in colonial and patriarchal di...
The primary aim of this thesis is to explore negative representations of Arabs and Muslims through a...
In post-revolutionary Iran, cinema became a medium for social critique of the prevailing issues in m...
Said (1979) explains that the media over time has been populated with negative stereotypes that seek...
While the cinema of post-revolutionary Iran is internationally acknowledged, the world outside Iran ...
This article will attempt to effect an intervention in the general thinking about the veil as an une...
It is widely accepted that Abbas Kiarostami’s cinema revolves around the representation of the gaze....
The study discusses the evolution of Pakistani cinema as a gendered medium to analyse the changes i...