This dissertation is a response to Martin Heidegger’s call to action asserted at the conclusion of his oft-cited essay, “The Question Concerning Technology,” in which he offers the realm of art as the mainspring for our emancipation from the grip of technological enframing. The following chapters investigate artists Martha Rosler, Christian Boltanski, Krzysztof Wodiczko and finally, collaborators Noor Mirza and Brad Butler, whose artworks offer a counterbalance to the erosion of the human capacity for thought as a particular feature of our Being, or Dasein, as proposed by Heidegger. Their shared characteristic lies in truth’s manifestation within artworks as happenings or events rather than a quest for fixed certainty or correspondence. Thr...