This thesis explores the development in the pictorial representation of four important French royal mistresses. It looks at works depicting Agnès Sorel, mistress to Charles VII; Diane de Poitiers, mistress to Henri II; Gabrielle d’Estrées, mistress to Henri IV; and Madame de Pompadour, mistress to Louis XV. By placing the portrayals of these women within a historical context, it becomes apparent that there are links between the strength of the crown and the depictions of the mistresses. This thesis traces the development of the imagery associated with these women and demonstrates that as the crown became more and more powerful, the portraits of the kings’ mistresses became bolder and less disguised
Abstract This thesis studies the court of France as a point of contact between the royalty and nobil...
Women and their relationship to sovereignty, during the early modern era has become a rapidly growin...
My dissertation examines the visual representations of Diana, the chaste goddess of the hunt, in six...
This thesis explores the development in the pictorial representation of four important French royal ...
Using the liminal space of their métier, royal mistresses created opportunities for themselves using...
The reign of Louis XV of France was spectacular in its advancement of the Late Rococo period due to ...
This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-C...
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. A...
In a collection of nearly 400 drawings entitled Livre de caricatures tant bonne que mauvaises, Charl...
This dissertation analyzes representations of Marie-Louise, second wife to Napoleon Bonaparte and Em...
My thesis investigates Queen Henrietta Maria's cultural activities at the Caroline court, paying par...
The structure of this thesis relies on the physical locations of Mme. de Pompadour. Although the cha...
Queen Anne Boleyn (~1507-1536) failed to meet social norms during her time as Queen Consort to Henry...
Charles II returned to England in 1660 accompanied by a “natural son” from a mistress. And within a ...
The turbulent events of the Fronde des Princes (Fronde of the Princes), which saw the French nobilit...
Abstract This thesis studies the court of France as a point of contact between the royalty and nobil...
Women and their relationship to sovereignty, during the early modern era has become a rapidly growin...
My dissertation examines the visual representations of Diana, the chaste goddess of the hunt, in six...
This thesis explores the development in the pictorial representation of four important French royal ...
Using the liminal space of their métier, royal mistresses created opportunities for themselves using...
The reign of Louis XV of France was spectacular in its advancement of the Late Rococo period due to ...
This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-C...
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. A...
In a collection of nearly 400 drawings entitled Livre de caricatures tant bonne que mauvaises, Charl...
This dissertation analyzes representations of Marie-Louise, second wife to Napoleon Bonaparte and Em...
My thesis investigates Queen Henrietta Maria's cultural activities at the Caroline court, paying par...
The structure of this thesis relies on the physical locations of Mme. de Pompadour. Although the cha...
Queen Anne Boleyn (~1507-1536) failed to meet social norms during her time as Queen Consort to Henry...
Charles II returned to England in 1660 accompanied by a “natural son” from a mistress. And within a ...
The turbulent events of the Fronde des Princes (Fronde of the Princes), which saw the French nobilit...
Abstract This thesis studies the court of France as a point of contact between the royalty and nobil...
Women and their relationship to sovereignty, during the early modern era has become a rapidly growin...
My dissertation examines the visual representations of Diana, the chaste goddess of the hunt, in six...