Add to ORKGReview of Deborah Mawer, editor. Historical Interplay in French Music and Culture, 1860-1960
International audienceBased upon an analysis of thirty years of the Revue de musicologie, between 19...
Through this thesis, entitled “Rethinking l\u27exception culturelle in French Music then and now: La...
The revival of ancient music gave rise to an interesting pas de deux, an original game of stacked te...
This edited volume of case studies presents a selective history of French music and culture, but one...
French concert music and jazz often enjoyed a special creative exchange across the period 1900–196...
As the field of Cultural History grows in prominence in the academic world, an understanding of the ...
This is an historiographical examination of the first History of Music published in France in 1715, ...
Review of Thomas Baldwin, James Fowler and Ana de Medeiros, eds. Questions of Influence in Modern Fr...
While there have been growing calls for historians to listen to the past, there are also significan...
In this review, I discuss a book that was recently published by members of the Study Group on Histor...
Addressing the role of music in Lacoue-Labarthe’s thinking, this article identifies a tension betwee...
Music Criticism in France examines the aesthetic battles that animated and informed French musical c...
Dr. Wayne Wentzel\u27s review of Mark Darlow, Staging the French Revolution: Cultural Politics and t...
This dissertation examines the reception of nineteenth-century French grand operas (ca. 1828-1879) a...
The intriguing parallels between musical and literary forms have long been a focus of musicological ...
International audienceBased upon an analysis of thirty years of the Revue de musicologie, between 19...
Through this thesis, entitled “Rethinking l\u27exception culturelle in French Music then and now: La...
The revival of ancient music gave rise to an interesting pas de deux, an original game of stacked te...
This edited volume of case studies presents a selective history of French music and culture, but one...
French concert music and jazz often enjoyed a special creative exchange across the period 1900–196...
As the field of Cultural History grows in prominence in the academic world, an understanding of the ...
This is an historiographical examination of the first History of Music published in France in 1715, ...
Review of Thomas Baldwin, James Fowler and Ana de Medeiros, eds. Questions of Influence in Modern Fr...
While there have been growing calls for historians to listen to the past, there are also significan...
In this review, I discuss a book that was recently published by members of the Study Group on Histor...
Addressing the role of music in Lacoue-Labarthe’s thinking, this article identifies a tension betwee...
Music Criticism in France examines the aesthetic battles that animated and informed French musical c...
Dr. Wayne Wentzel\u27s review of Mark Darlow, Staging the French Revolution: Cultural Politics and t...
This dissertation examines the reception of nineteenth-century French grand operas (ca. 1828-1879) a...
The intriguing parallels between musical and literary forms have long been a focus of musicological ...
International audienceBased upon an analysis of thirty years of the Revue de musicologie, between 19...
Through this thesis, entitled “Rethinking l\u27exception culturelle in French Music then and now: La...
The revival of ancient music gave rise to an interesting pas de deux, an original game of stacked te...