While Marcel Duchamp’s readymades are consistently framed as a challenge to the art world and the concept of art itself, they also challenge the world from which they were taken, the world of commodities. Readymades subject the commodity to the world of aesthetics in order to more fully investigate the commodity aesthetics of both the commodity form itself and it presentation in shop window displays. This critical investigation complicates the role of commodity aesthetics and consumption as well as their formation of the consumer-subject in Fordist capitalism. The readymade can be seen both as an important forerunner to the theories of commodity aesthetics and consumption in the 1960s and 70s as well as as exemplary of contemporaneous Dadai...
In 1963 Duchamp described his vertical installation of three Readymades at the Pasadena Art Museum a...
This catalogue analyses the duchampian legacy through contributions by 9 essayists and 18 European a...
When Marcel Duchamp attempted to exhibit an industrially manufactured urinal as art in 1917, he sign...
This research focuses on the readymades of Marcel Duchamp and the impact made by these influential ...
The readymades conceived and selected by Marcel Duchamp be- tween the years 1914–1917 have, with ver...
" This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking...
Departing from Duchamp’s advice in 1961 of finding the “com- mon factor” between the non-representat...
This thesis investigates the altered status of the readymade in relation to its Duchampian inception...
We can note three phases in the tradition of the readymade and appropriation since Duchamp’s Bicycle...
In this paper I shall show that the artworks of Marcel Duchamp (1887-1968) harbour as yet unheeded ...
It is a commonplace in certain areas of art theory and contemporary art practices to consider Marcel...
The purpose of this thesis is to extrapolate through research the conceptual underpinnings of a body...
The scope of the essay is limited by the ideas behind the mechanisation of desire as conceptualised ...
This article considers the notion of ‘play’ in the plastic arts, its relation to the materiality of ...
French-American artist Marcel Duchamp (1887-1968) is best known as the iconoclastic author of the re...
In 1963 Duchamp described his vertical installation of three Readymades at the Pasadena Art Museum a...
This catalogue analyses the duchampian legacy through contributions by 9 essayists and 18 European a...
When Marcel Duchamp attempted to exhibit an industrially manufactured urinal as art in 1917, he sign...
This research focuses on the readymades of Marcel Duchamp and the impact made by these influential ...
The readymades conceived and selected by Marcel Duchamp be- tween the years 1914–1917 have, with ver...
" This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking...
Departing from Duchamp’s advice in 1961 of finding the “com- mon factor” between the non-representat...
This thesis investigates the altered status of the readymade in relation to its Duchampian inception...
We can note three phases in the tradition of the readymade and appropriation since Duchamp’s Bicycle...
In this paper I shall show that the artworks of Marcel Duchamp (1887-1968) harbour as yet unheeded ...
It is a commonplace in certain areas of art theory and contemporary art practices to consider Marcel...
The purpose of this thesis is to extrapolate through research the conceptual underpinnings of a body...
The scope of the essay is limited by the ideas behind the mechanisation of desire as conceptualised ...
This article considers the notion of ‘play’ in the plastic arts, its relation to the materiality of ...
French-American artist Marcel Duchamp (1887-1968) is best known as the iconoclastic author of the re...
In 1963 Duchamp described his vertical installation of three Readymades at the Pasadena Art Museum a...
This catalogue analyses the duchampian legacy through contributions by 9 essayists and 18 European a...
When Marcel Duchamp attempted to exhibit an industrially manufactured urinal as art in 1917, he sign...