Add to ORKGThis interview conducted with Ben Katchor takes readers on a journey through his life, work, and different eras of comic strip and comic book creation. Katchor shares with Frederick Luis Aldama his origins as a word and drawing storyteller as well as his trials, tribulations, and successes throughout the latter 20th century
This article describes the use of comics in a mixed methods biographical research project aimed at u...
Review of Christopher Pizzino. Arresting Development: Comics at the Boundaries of Literature. Austin...
What if fairy-tale characters lived in New York City? What if a superhero knew he was a fictional ch...
ReDrawing of Narrative Boundaries: An Introduction provides an overview of the comics studies field ...
Review of Andrew J. Kunka. Autobiographical Comics. New York: Bloomsbury Academic, 2017
Review of Frederick Aldama. Latino Comic Book Storytelling: An Odyssey by Interview. San Diego: ¡Hyp...
This chapter presents the work and trajectory of conceptual comics artist Ilan Manouach. Focusing on...
Karen Green considers writing about comics, and writing about writing about comics
The künstlerroman is a genre with a long and celebrated past. From Bret Easton Ellis’ Lunar Park (20...
The interdisciplinary field of Comics Studies has developed since the late 20th Century, in response...
Damon Herd offers a discussion of Dieter Roth’s Solo Scenes, a multimedia presentation that echoes t...
At its core a comic book is a narrative told using a sequence of images or a sequential art narrativ...
Joy Katzmarzik, Comic Art and Avant-Garde: Bill Watterson’s “Calvin and Hobbes” and the Art of Ameri...
By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic ...
Mingling pictures and text, comic art represents a vast fund of examples that can illuminate the ent...
This article describes the use of comics in a mixed methods biographical research project aimed at u...
Review of Christopher Pizzino. Arresting Development: Comics at the Boundaries of Literature. Austin...
What if fairy-tale characters lived in New York City? What if a superhero knew he was a fictional ch...
ReDrawing of Narrative Boundaries: An Introduction provides an overview of the comics studies field ...
Review of Andrew J. Kunka. Autobiographical Comics. New York: Bloomsbury Academic, 2017
Review of Frederick Aldama. Latino Comic Book Storytelling: An Odyssey by Interview. San Diego: ¡Hyp...
This chapter presents the work and trajectory of conceptual comics artist Ilan Manouach. Focusing on...
Karen Green considers writing about comics, and writing about writing about comics
The künstlerroman is a genre with a long and celebrated past. From Bret Easton Ellis’ Lunar Park (20...
The interdisciplinary field of Comics Studies has developed since the late 20th Century, in response...
Damon Herd offers a discussion of Dieter Roth’s Solo Scenes, a multimedia presentation that echoes t...
At its core a comic book is a narrative told using a sequence of images or a sequential art narrativ...
Joy Katzmarzik, Comic Art and Avant-Garde: Bill Watterson’s “Calvin and Hobbes” and the Art of Ameri...
By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic ...
Mingling pictures and text, comic art represents a vast fund of examples that can illuminate the ent...
This article describes the use of comics in a mixed methods biographical research project aimed at u...
Review of Christopher Pizzino. Arresting Development: Comics at the Boundaries of Literature. Austin...
What if fairy-tale characters lived in New York City? What if a superhero knew he was a fictional ch...