A Report from the 48. Internationale Filmfestspiele Berlin, February 11-22, 1998 Notes 1. Gerhard Schulze, Die Erlebnisgesellschaft: Kultursoziologie der Gegenwart (Frankfurt/M.: Campus, 1992). For a critical discussion of Schulze\u27s terms, see Axel Honneth, Desintegration: Bruchstücke einer soziologischen Zeitdiagnose (Frankfurt/M.: Fischer, 1995).2. Homi K. Bhabha, The Location of Culture (London: Routledge, 1994) 70.3. Leslie A. Adelson, Making Bodies, Making History: Feminism and German Identity (Lincoln: Nebraska UP, 1993) 36
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Even 24 years after the Fall of the Berlin Wall, modern day Germans are still preoccupied with the c...
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Im vorliegenden Band analysiert Anna Schober alternative filmkulturelle Kreise in Deutschland, Öster...
This study offers a cultural studies reading of race, gender and nation as represented in three them...
During the 1990s Queer Cinema exploded onto the independent film scene in North America. Most film f...
This article analyses the negotiation of German identities in two films of the ‘newer German cinema’...
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This comprehensively revised, updated and significantly extended edition introduces German film hist...
German Cinema is an ideal overview of contemporary German film for researchers and students in both ...
German unification is frequently seen as an event and a date October 3, 1990 - on which a divided pe...
The generic term national cinema implies that, viewed in their totality, the films of a country prom...
Given that, at least in economic terms, the women of the former GDR are often described as the ‘lose...
In 1991 the infamous film and theater director Christoph Schlingensief made one of the first feature...
German cinema is experiencing something of a renaissance, with an assortment of remarkable films hav...
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Since 1945, film in the Federal Republic has maintained an ambivalent relationship to American cinem...
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