Add to ORKGThis study proposes a method for analyzing rhythm in relation to conventional meter. The concept of rhythmic voicing informs a basic analytical strategy that is flexible enough to represent different forms of rhythmic organization and to accommodate various theoretical perspectives. The theoretical perspective developed here employs cognitive schemata to construct a model of how listeners interpret rhythmic patterns in terms of conventional meter, even when the rhythms do not fully conform to the characteristics of this meter. Rhythms that invoke but deviate from meter are understood as metrical allusions according to the categories of simple allusion, disjunction, and distortion. Metaphorically applied image schemata further interpret ...
In Western music contexts, rhythm is commonly understood in terms of the duration, division, and sub...
Playing with Meter makes a significant contribution to music theory and to the growing conversation ...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...
This study proposes a method for analyzing rhythm in relation to conventional meter. The concept of...
Current definitions for rhythmic and metrical terminology generally focus around the movement of pit...
Current definitions for rhythmic and metrical terminology generally focus around the movement of pit...
Rhythm, as it is performed and perceived, is only sparingly addressed in music theory. Existing theo...
Item does not contain fulltextRhythm, as it is performed and perceived, is only sparingly addressed ...
Theories of rhythm and meter tend to blur the distinction between musical structures that are actual...
Theories of rhythm and meter tend to blur the distinction between musical structures that are actual...
This paper explores issues of temporality and rhythmic intuition in Schoenberg\u27s Op. 22 (4 Orches...
Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which create...
Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which create...
Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which create...
Our investigation was aimed at improving the comprehension of asymmetrical rhythms. Specifically, ou...
In Western music contexts, rhythm is commonly understood in terms of the duration, division, and sub...
Playing with Meter makes a significant contribution to music theory and to the growing conversation ...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...
This study proposes a method for analyzing rhythm in relation to conventional meter. The concept of...
Current definitions for rhythmic and metrical terminology generally focus around the movement of pit...
Current definitions for rhythmic and metrical terminology generally focus around the movement of pit...
Rhythm, as it is performed and perceived, is only sparingly addressed in music theory. Existing theo...
Item does not contain fulltextRhythm, as it is performed and perceived, is only sparingly addressed ...
Theories of rhythm and meter tend to blur the distinction between musical structures that are actual...
Theories of rhythm and meter tend to blur the distinction between musical structures that are actual...
This paper explores issues of temporality and rhythmic intuition in Schoenberg\u27s Op. 22 (4 Orches...
Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which create...
Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which create...
Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which create...
Our investigation was aimed at improving the comprehension of asymmetrical rhythms. Specifically, ou...
In Western music contexts, rhythm is commonly understood in terms of the duration, division, and sub...
Playing with Meter makes a significant contribution to music theory and to the growing conversation ...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...