Add to ORKGUsing the example of three experimental museum sound installations, this paper discusses the translation into practice of the intention to make meaningful connections between diverse social positions and experiences. We use the term ‘dialogic’ to theorise these interactive intentions and show them at work in the content, development processes and form of the sound installations. Our discussion is framed by the collaboration between the authors across the disciplines of museum studies and creative practice
This contribution seeks to explore the potential of museum audio description (AD) – a sub-genre of g...
In the twenty-first century, museums are in the midst of a paradigm shift. Digital revolution has in...
As the Translation Studies community moves forward in an increasingly networked globe, and the needs...
Using the example of three experimental museum sound installations, this paper discusses the transla...
© 2018 Dr. David Owen HenryThis thesis examines the emergence, practice, and social meaning of inter...
This thesis is an exploratory study based on a participatory design project that unfolded at The Nor...
Everywhere you look or indeed listen these days, museums from the local to the national are calling ...
1noThis paper first illustrates the major revisions, such as a new view of society, the nation, and ...
In the twenty-first century, museums are becoming increasingly interested in the immaterial—the affe...
This paper speaks to the conference theme concerning cultural, relational and intercultural musicolo...
In the twenty-first century, museums are becoming increasingly interested in the immaterial—the affe...
University of Technology Sydney. Faculty of Design, Architecture and Building.This practice-based re...
The ‘museum as contact zone’ (Clifford 1997: 192) has been a concept that has theoretically framed t...
This contribution seeks to explore the potential of museum audio description (AD) – a sub-genre of g...
As the Translation Studies community moves forward in an increasingly networked globe, and the needs...
This contribution seeks to explore the potential of museum audio description (AD) – a sub-genre of g...
In the twenty-first century, museums are in the midst of a paradigm shift. Digital revolution has in...
As the Translation Studies community moves forward in an increasingly networked globe, and the needs...
Using the example of three experimental museum sound installations, this paper discusses the transla...
© 2018 Dr. David Owen HenryThis thesis examines the emergence, practice, and social meaning of inter...
This thesis is an exploratory study based on a participatory design project that unfolded at The Nor...
Everywhere you look or indeed listen these days, museums from the local to the national are calling ...
1noThis paper first illustrates the major revisions, such as a new view of society, the nation, and ...
In the twenty-first century, museums are becoming increasingly interested in the immaterial—the affe...
This paper speaks to the conference theme concerning cultural, relational and intercultural musicolo...
In the twenty-first century, museums are becoming increasingly interested in the immaterial—the affe...
University of Technology Sydney. Faculty of Design, Architecture and Building.This practice-based re...
The ‘museum as contact zone’ (Clifford 1997: 192) has been a concept that has theoretically framed t...
This contribution seeks to explore the potential of museum audio description (AD) – a sub-genre of g...
As the Translation Studies community moves forward in an increasingly networked globe, and the needs...
This contribution seeks to explore the potential of museum audio description (AD) – a sub-genre of g...
In the twenty-first century, museums are in the midst of a paradigm shift. Digital revolution has in...
As the Translation Studies community moves forward in an increasingly networked globe, and the needs...