This data consist of 11 productions of The Orphan of Zhao created by practitioners from four countries – China, Nigeria, Korea and Britain – and spans a range of theatrical genres: Chinese regional operas; spoken drama and Chinese opera in the Western style as well as dramas in Korean and in English (works by Ahmadu Bello University in Nigeria and by the Royal Shakespeare Company in Britain). Viewers can find the introduction to each of the productions, including the information about the particular genre of each stage work. There are also still images and clips of videos; some production links include critical reviews. These diverse productions not only retell an ancient story of an orphan in China, but also enlighten us about the intrigui...
Asian directors leverage Shakespeare’s own propensity to undermine dominant ideologies of gender—not...
East Meets West: The Perception of Japanese and Chinese Theatres in the Context of Edinburgh Interna...
The cross-cultural performance of Chinese adaptations of Shakespeare’s plays abroad has gone through...
In May 2012, La Jolla Playhouse in the United States staged a musical adaptation of Hans Christian A...
This data consist of 11 productions of The Orphan of Zhao created by practitioners from four countri...
This data consist of 11 productions of The Orphan of Zhao created by practitioners from four countri...
In May 2012, La Jolla Playhouse in the United States staged a musical adaptation of Hans Christian A...
In May 2012, La Jolla Playhouse in the United States staged a musical adaptation of Hans Christian A...
This data consist of 11 productions of The Orphan of Zhao created by practitioners from four countri...
This paper is a comparative study of the thirteen-century Chinese revenge drama The Orphan of Zhao a...
Two hundred and forty years after his death, Shakespeare was introduced to China. It was in 1856 tha...
Depuis l’introduction du premier théâtre chinois en Europe au XVIIIe siècle, le sujet chinois exerce...
As one of the four Shakespeare’s great tragedies, Macbeth, with its thrilling story line and profoun...
grantor: University of TorontoAs major theories and praxis of theatrical interculturalism...
Shakespeare’s plays were first adapted in the Chinese cinema in the era of silent motion pictures, s...
Asian directors leverage Shakespeare’s own propensity to undermine dominant ideologies of gender—not...
East Meets West: The Perception of Japanese and Chinese Theatres in the Context of Edinburgh Interna...
The cross-cultural performance of Chinese adaptations of Shakespeare’s plays abroad has gone through...
In May 2012, La Jolla Playhouse in the United States staged a musical adaptation of Hans Christian A...
This data consist of 11 productions of The Orphan of Zhao created by practitioners from four countri...
This data consist of 11 productions of The Orphan of Zhao created by practitioners from four countri...
In May 2012, La Jolla Playhouse in the United States staged a musical adaptation of Hans Christian A...
In May 2012, La Jolla Playhouse in the United States staged a musical adaptation of Hans Christian A...
This data consist of 11 productions of The Orphan of Zhao created by practitioners from four countri...
This paper is a comparative study of the thirteen-century Chinese revenge drama The Orphan of Zhao a...
Two hundred and forty years after his death, Shakespeare was introduced to China. It was in 1856 tha...
Depuis l’introduction du premier théâtre chinois en Europe au XVIIIe siècle, le sujet chinois exerce...
As one of the four Shakespeare’s great tragedies, Macbeth, with its thrilling story line and profoun...
grantor: University of TorontoAs major theories and praxis of theatrical interculturalism...
Shakespeare’s plays were first adapted in the Chinese cinema in the era of silent motion pictures, s...
Asian directors leverage Shakespeare’s own propensity to undermine dominant ideologies of gender—not...
East Meets West: The Perception of Japanese and Chinese Theatres in the Context of Edinburgh Interna...
The cross-cultural performance of Chinese adaptations of Shakespeare’s plays abroad has gone through...