Add to ORKGThis essay is part of a doctoral dissertation presented to the Department of Philosophy, University of São Paulo, in 1993, named 'Genealogy of the Real' . Its core idea is a Nietzschean approach to a masterpiece among philosophical inspired movies, namely, Akira Kurosawa's Rashomon, which surely touches deep groundings of the concept of truth and reality
Movie, as a means of mass communication, narrating life in a set of binary - that have different pri...
My thesis explored the conceptual and evaluative reasons behind Nietzsche's critique of truth. I nar...
In this thesis, I examine the relationship between the Kyoto School philosopher, Nishitani Keiji, an...
This essay is part of a doctoral dissertation presented to the Department of Philosophy, University ...
The article presents the author's analysis of the concepts of “truth” and “meaning of life”, “virtue...
This doctoral research consists of two 90 minute DVD documentaries and a complementary text about th...
So what is real and what is true? The movie says that it may be impossible to ever really know. Pos...
The paper deals with the effort to go beyond the boundaries of commercial apocalypse film. It is arg...
This document is offered in partial fulfillment of require ments for a Master of Arts Degree in Dra...
This article analyses the use of film style in Rashomon (Kurosawa Akira, 1950) to determine whether ...
This article analyses the use of film style in Rashomon (Kurosawa Akira, 1950) to determine whether ...
How has a film released in Tokyo in 1950 been understood as providing an important explanatory parad...
Rashomon (Japão, dir. Akira Kurosawa, 1951), filme responsável pela inaugural presença do cinema jap...
The main aim of the essay is to find analogies between films by Akira Kurosawa and novel by his favo...
The narrative structure and formal style of the director Shinoda Masahiro's films reveal his ethical...
Movie, as a means of mass communication, narrating life in a set of binary - that have different pri...
My thesis explored the conceptual and evaluative reasons behind Nietzsche's critique of truth. I nar...
In this thesis, I examine the relationship between the Kyoto School philosopher, Nishitani Keiji, an...
This essay is part of a doctoral dissertation presented to the Department of Philosophy, University ...
The article presents the author's analysis of the concepts of “truth” and “meaning of life”, “virtue...
This doctoral research consists of two 90 minute DVD documentaries and a complementary text about th...
So what is real and what is true? The movie says that it may be impossible to ever really know. Pos...
The paper deals with the effort to go beyond the boundaries of commercial apocalypse film. It is arg...
This document is offered in partial fulfillment of require ments for a Master of Arts Degree in Dra...
This article analyses the use of film style in Rashomon (Kurosawa Akira, 1950) to determine whether ...
This article analyses the use of film style in Rashomon (Kurosawa Akira, 1950) to determine whether ...
How has a film released in Tokyo in 1950 been understood as providing an important explanatory parad...
Rashomon (Japão, dir. Akira Kurosawa, 1951), filme responsável pela inaugural presença do cinema jap...
The main aim of the essay is to find analogies between films by Akira Kurosawa and novel by his favo...
The narrative structure and formal style of the director Shinoda Masahiro's films reveal his ethical...
Movie, as a means of mass communication, narrating life in a set of binary - that have different pri...
My thesis explored the conceptual and evaluative reasons behind Nietzsche's critique of truth. I nar...
In this thesis, I examine the relationship between the Kyoto School philosopher, Nishitani Keiji, an...