The neural mechanisms of music listening and appreciation are not yet completely understood. Based on the apparent relationship between the beats per minute (tempo) of music and the desire to move (for example feet tapping) induced while listening to that music it is hypothesised that musical tempo may evoke movement related activity in the brain. Participants are instructed to listen, without moving, to a large range of musical pieces spanning a range of styles and tempos during an electroencephalogram (EEG) experiment. Event-related desynchronisation (ERD) in the EEG is observed to correlate significantly with the variance of the tempo of the musical stimuli. This suggests that the dynamics of the beat of the music may induce movement rel...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
Beat perception is fundamental to how we experience music, and yet the mechanism behind this spontan...
The neural mechanisms of music listening and appreciation are not yet completely understood. Based o...
The neural mechanisms of music listening and appreciation are not yet completely understood. Based o...
Beat perception is fundamental to how we experience music, and yet the mechanism behind this spontan...
The ability to perceive a regular beat in music and synchronize to this beat is a widespread human s...
The ability to perceive a regular beat in music and synchronize to it is a widespread human skill. F...
The perception of beat and meter when listening to musical rhythms is an extremely commonability tha...
We examined β- (∼20 Hz) and γ- (∼40 Hz) band activity in auditory cortices by means of magnetoenceph...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
The way humans move to music has a large impact on how music is synchronized to, interpreted, and en...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
Electroencephalography (EEG) research has the potential to illuminate questions of connectivity and ...
It is increasingly recognized that motor routines dynamically shape the processing of sensory inflow...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
Beat perception is fundamental to how we experience music, and yet the mechanism behind this spontan...
The neural mechanisms of music listening and appreciation are not yet completely understood. Based o...
The neural mechanisms of music listening and appreciation are not yet completely understood. Based o...
Beat perception is fundamental to how we experience music, and yet the mechanism behind this spontan...
The ability to perceive a regular beat in music and synchronize to this beat is a widespread human s...
The ability to perceive a regular beat in music and synchronize to it is a widespread human skill. F...
The perception of beat and meter when listening to musical rhythms is an extremely commonability tha...
We examined β- (∼20 Hz) and γ- (∼40 Hz) band activity in auditory cortices by means of magnetoenceph...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
The way humans move to music has a large impact on how music is synchronized to, interpreted, and en...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
Electroencephalography (EEG) research has the potential to illuminate questions of connectivity and ...
It is increasingly recognized that motor routines dynamically shape the processing of sensory inflow...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
Feeling the beat and meter is fundamental to the experience of music. However, how these periodiciti...
Beat perception is fundamental to how we experience music, and yet the mechanism behind this spontan...