This paper discusses a semi-improvised compositional approach, within a hybridised electroacoustic music context. It will feature a live presentation and discussion of a novel form of professional application to expand contemporary, artistic practice. A central component of this approach is a discussion of the Analogue Shift Register (ASR) including its various digital representations. Historically the ASR emerged during the early 70s with the first example by Serge Tcherepnin, described as a '.. sequential sample and hold module for producing arabesque-like forms in musical space'. A contemporary realisation of the ASR can be found in devices such as Ornament and Crime's (O&C) CopierMaschine and Turing Machine (Music Thing Modular/Tom Wh...
While musicians have been performing with electronics for nearly a century, there still exists very ...
While musicians have been performing with electronics for nearly a century, there still exists very ...
The forces used in the realisation of a musical work have typically been conceived of as independent...
This chapter presents a semi-improvised compositional approach, within a hybridised electroacoustic ...
For many electroacoustic music composers, focus is more directed toward timbral and textural approac...
In patching the modular synthesiser we discover its ability to become an automaton and for patches t...
From the humble and clumsy beginnings of the Teleharmonium to the MIDI capable Euroracks of today th...
From the humble and clumsy beginnings of the Teleharmonium to the MIDI capable Euroracks of today th...
Modular synthesisers present a new, perhaps rediscovered, paradigm in electronic musical performance...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
This thesis proceeds from a discussion of hybridity between electronic and acoustic forces in conte...
The lack of authorial notations and published scores in the field of electroacoustic music poses a c...
While musicians have been performing with electronics for nearly a century, there still exists very ...
While musicians have been performing with electronics for nearly a century, there still exists very ...
The forces used in the realisation of a musical work have typically been conceived of as independent...
This chapter presents a semi-improvised compositional approach, within a hybridised electroacoustic ...
For many electroacoustic music composers, focus is more directed toward timbral and textural approac...
In patching the modular synthesiser we discover its ability to become an automaton and for patches t...
From the humble and clumsy beginnings of the Teleharmonium to the MIDI capable Euroracks of today th...
From the humble and clumsy beginnings of the Teleharmonium to the MIDI capable Euroracks of today th...
Modular synthesisers present a new, perhaps rediscovered, paradigm in electronic musical performance...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
This thesis proceeds from a discussion of hybridity between electronic and acoustic forces in conte...
The lack of authorial notations and published scores in the field of electroacoustic music poses a c...
While musicians have been performing with electronics for nearly a century, there still exists very ...
While musicians have been performing with electronics for nearly a century, there still exists very ...
The forces used in the realisation of a musical work have typically been conceived of as independent...
Add to ORKG