The focus of this exhibition is to illustrate the evolution of rococo ornament in France across a wide range of the decorative arts. In so doing, the character of ornament and the rococo will also be revealed, illustrating the synthesis between the two at this time. The exhibition does this by examining four main sources of ornament characteristic of the rococo period; those of the grotesque, the figure, nature, and the exotic. Whilst the origin and subsequent development of each of these ornaments in the context of the rococo will be examined independently, the aim of the exhibition is to illustrate the interactions between the four. Influences on ornament outside the artistic spectrum will also be examined, such as the political and econo...
The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically u...
International audienceThis lavishly illustrated volume is the first major global history of ornament...
The Tales of the Alhambra by Washington Irving still capture the contemporary imagination. The arabe...
Exhibition Notes, Number 18, Spring 2002. This exhibition arose from a collaboration between partic...
Often regarded as purely decorative, obsolete, and inconsequential, the rococo paintings of eighteen...
The exhibition concentrates on some of the ways that America surfaced amongst French culture from th...
In the 19th century, the very pejorative term rococo was associated with everything outdated, ridicu...
The contemporary design market has seen a resurgence of the rococo style. Porcelain has become a pop...
This thesis investigates the braid of exotic elements presented in Joseph Gilliers’s Le Cannaméliste...
In this article ornament is defined as a decorative feature of objects and buildings, whereas decora...
The present article considers the origins, characteristics and diffusion of the rococo, highlighting...
Intermittently in and out of fashion, the persistence of the Rococo from the eighteenth century to t...
The entrapment of the aristocracy that King Louis XIV began at the Palace of Versailles in the late ...
The Study of Ornaments The dictionary’s definition of the ornament is « something that decorates or...
The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically u...
The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically u...
International audienceThis lavishly illustrated volume is the first major global history of ornament...
The Tales of the Alhambra by Washington Irving still capture the contemporary imagination. The arabe...
Exhibition Notes, Number 18, Spring 2002. This exhibition arose from a collaboration between partic...
Often regarded as purely decorative, obsolete, and inconsequential, the rococo paintings of eighteen...
The exhibition concentrates on some of the ways that America surfaced amongst French culture from th...
In the 19th century, the very pejorative term rococo was associated with everything outdated, ridicu...
The contemporary design market has seen a resurgence of the rococo style. Porcelain has become a pop...
This thesis investigates the braid of exotic elements presented in Joseph Gilliers’s Le Cannaméliste...
In this article ornament is defined as a decorative feature of objects and buildings, whereas decora...
The present article considers the origins, characteristics and diffusion of the rococo, highlighting...
Intermittently in and out of fashion, the persistence of the Rococo from the eighteenth century to t...
The entrapment of the aristocracy that King Louis XIV began at the Palace of Versailles in the late ...
The Study of Ornaments The dictionary’s definition of the ornament is « something that decorates or...
The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically u...
The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically u...
International audienceThis lavishly illustrated volume is the first major global history of ornament...
The Tales of the Alhambra by Washington Irving still capture the contemporary imagination. The arabe...