Although the empire had begun to wane in the time of Aurangzeb, it was to linger on for another century, and the decline in political fortunes was not matched by a decline in the arts. The pictorial tradition flourished, especially in Rajput courts. The painting of the Hindola Ragini is another illustration of the pervading influence of Mughal artists in this period, although the subject is a traditional Indian theme. The figures are treated realistically, with hierarchical differences in scale minimized, and the background is given careful attention, with the Mughal architecture rendered in perspective
The reign of Abū al-Fath Jalāl al-Dīn Muhammad Akbar (1556–1605) was a fruitful period of the politi...
The raga is a fixed combination of musical or visual forms used to convey certain perceptions associ...
In the late seventeenth century, Rajput masters began to develop individualized styles, moving away ...
During the second half of the seventeenth century, Mughal influence increased in the Rajput schools ...
During the late eighteenth century and the first half of the nineteenth, Rajput patronage of the art...
Even in the nineteenth century, Mughal characteristics lingered on in isolated works. The Mughal tra...
This work follows the rise and expansion of the Mughal Empire in India from the 16th to the early 18...
With the decline of imperial prestige, Rajput painting followed two opposite trends. On the one hand...
The painting blends the Mughal and indigenous traditions. The faces of the figures are individualize...
Drawn to Akbar's court either by the lure of patronage or as the human loot of Akbar's conquests, th...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
For a time, the pre-Muslim traditions enjoyed a resurgence, as the Mughal Empire waned and the forei...
Throughout its history, Marwar painting preserved much of the turbulent and vital spirit of the pre-...
Akbar died in 1605 and was succeeded by his son, Prince Selim, who took the name of Jahangir, or Wor...
Toward the end of the seventeenth century, the Mughal Empire began to decline, weakened by Aurangzeb...
The reign of Abū al-Fath Jalāl al-Dīn Muhammad Akbar (1556–1605) was a fruitful period of the politi...
The raga is a fixed combination of musical or visual forms used to convey certain perceptions associ...
In the late seventeenth century, Rajput masters began to develop individualized styles, moving away ...
During the second half of the seventeenth century, Mughal influence increased in the Rajput schools ...
During the late eighteenth century and the first half of the nineteenth, Rajput patronage of the art...
Even in the nineteenth century, Mughal characteristics lingered on in isolated works. The Mughal tra...
This work follows the rise and expansion of the Mughal Empire in India from the 16th to the early 18...
With the decline of imperial prestige, Rajput painting followed two opposite trends. On the one hand...
The painting blends the Mughal and indigenous traditions. The faces of the figures are individualize...
Drawn to Akbar's court either by the lure of patronage or as the human loot of Akbar's conquests, th...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
For a time, the pre-Muslim traditions enjoyed a resurgence, as the Mughal Empire waned and the forei...
Throughout its history, Marwar painting preserved much of the turbulent and vital spirit of the pre-...
Akbar died in 1605 and was succeeded by his son, Prince Selim, who took the name of Jahangir, or Wor...
Toward the end of the seventeenth century, the Mughal Empire began to decline, weakened by Aurangzeb...
The reign of Abū al-Fath Jalāl al-Dīn Muhammad Akbar (1556–1605) was a fruitful period of the politi...
The raga is a fixed combination of musical or visual forms used to convey certain perceptions associ...
In the late seventeenth century, Rajput masters began to develop individualized styles, moving away ...