The Mughal tradition of portraiture was gradually incorporated into Indian art. Shown here is a portrait of the Taka Shah of Golconda, a Muslim sultanate of the Deccan in southern India. The faces are skilfully individualized, in the Mughal fashion, but the native tradition is seen in the hierarchy of scale: the ruler, as the most important figure, dwarfs his attendants, and his elephant towers over theirs
The figures are depicted in soft colours, with the delicacy of line and subtle modulation of contour...
Many of Muhammad Shah's painters went to the Punjab Hills, where they infused the local tradition wi...
Under Aurangzeb painting ceased to be a prime activity of the Mughal court and was increasingly patr...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
Toward the end of the seventeenth century, the Mughal Empire began to decline, weakened by Aurangzeb...
The reign of Abū al-Fath Jalāl al-Dīn Muhammad Akbar (1556–1605) was a fruitful period of the politi...
The portrait is of the type popularized by Jahangir, who commissioned many portraits of single figur...
In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, w...
The painting blends the Mughal and indigenous traditions. The faces of the figures are individualize...
Part of a famous series, this picture illustrates the recourse to modelling and shading which occurr...
Mughal art developed its chief characteristics during the reign of Akbar the Great (1556-1605). Akba...
During the second half of the seventeenth century, Mughal influence increased in the Rajput schools ...
On the reverse of this picture are several inscriptions in Persian and 3 seals. An inscription in th...
Akbar died in 1605 and was succeeded by his son, Prince Selim, who took the name of Jahangir, or Wor...
This work follows the rise and expansion of the Mughal Empire in India from the 16th to the early 18...
The figures are depicted in soft colours, with the delicacy of line and subtle modulation of contour...
Many of Muhammad Shah's painters went to the Punjab Hills, where they infused the local tradition wi...
Under Aurangzeb painting ceased to be a prime activity of the Mughal court and was increasingly patr...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
Toward the end of the seventeenth century, the Mughal Empire began to decline, weakened by Aurangzeb...
The reign of Abū al-Fath Jalāl al-Dīn Muhammad Akbar (1556–1605) was a fruitful period of the politi...
The portrait is of the type popularized by Jahangir, who commissioned many portraits of single figur...
In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, w...
The painting blends the Mughal and indigenous traditions. The faces of the figures are individualize...
Part of a famous series, this picture illustrates the recourse to modelling and shading which occurr...
Mughal art developed its chief characteristics during the reign of Akbar the Great (1556-1605). Akba...
During the second half of the seventeenth century, Mughal influence increased in the Rajput schools ...
On the reverse of this picture are several inscriptions in Persian and 3 seals. An inscription in th...
Akbar died in 1605 and was succeeded by his son, Prince Selim, who took the name of Jahangir, or Wor...
This work follows the rise and expansion of the Mughal Empire in India from the 16th to the early 18...
The figures are depicted in soft colours, with the delicacy of line and subtle modulation of contour...
Many of Muhammad Shah's painters went to the Punjab Hills, where they infused the local tradition wi...
Under Aurangzeb painting ceased to be a prime activity of the Mughal court and was increasingly patr...