Add to ORKGThe Persian tradition was a contributing force in the development of the Mughal style, as two famous Persian artists from the Safavi court worked in Humayun's studios and later supervised the imperial ateliers of Akbar. Persian elegance and harmony were to influence the rougher, more dynamic and expressive style of indigenous artists. Persian painting was characterized by a linear delicacy, a subtle colour harmony, and a stylization of landscape features
Probably painted in the South Indian city of Hyderabad, the portrait has the dreamy tenderness and l...
In the late seventeenth century, Rajput masters began to develop individualized styles, moving away ...
Still displays the sober elegance of Iran, and recalls both Isfahan and some of the mosques of Const...
Lacquer, as a medium for artistic expression, was not readily chosen by Persian artists before the l...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
The presentation focuses on the opening of the Safavid dynasty from the 16th to the 18th century to ...
During the second half of the seventeenth century, Mughal influence increased in the Rajput schools ...
The earliest surviving painting of the Mughal school is a large picture on cotton of the ancestors i...
The reign of Abū al-Fath Jalāl al-Dīn Muhammad Akbar (1556–1605) was a fruitful period of the politi...
The Mughal tradition of portraiture was gradually incorporated into Indian art. Shown here is a port...
Persian painting and Persian literature were closely linked during the history of Iran after the con...
Mughal art developed its chief characteristics during the reign of Akbar the Great (1556-1605). Akba...
Muslim art, unlike Hindu art, was secular in approach, intended to instruct and entertain. Its subje...
La relation entre la peinture et la littérature persane était étroitement liée pendant toute l'histo...
The present study aims to identify the materials and techniques used in Persian illuminated manuscri...
Probably painted in the South Indian city of Hyderabad, the portrait has the dreamy tenderness and l...
In the late seventeenth century, Rajput masters began to develop individualized styles, moving away ...
Still displays the sober elegance of Iran, and recalls both Isfahan and some of the mosques of Const...
Lacquer, as a medium for artistic expression, was not readily chosen by Persian artists before the l...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
The presentation focuses on the opening of the Safavid dynasty from the 16th to the 18th century to ...
During the second half of the seventeenth century, Mughal influence increased in the Rajput schools ...
The earliest surviving painting of the Mughal school is a large picture on cotton of the ancestors i...
The reign of Abū al-Fath Jalāl al-Dīn Muhammad Akbar (1556–1605) was a fruitful period of the politi...
The Mughal tradition of portraiture was gradually incorporated into Indian art. Shown here is a port...
Persian painting and Persian literature were closely linked during the history of Iran after the con...
Mughal art developed its chief characteristics during the reign of Akbar the Great (1556-1605). Akba...
Muslim art, unlike Hindu art, was secular in approach, intended to instruct and entertain. Its subje...
La relation entre la peinture et la littérature persane était étroitement liée pendant toute l'histo...
The present study aims to identify the materials and techniques used in Persian illuminated manuscri...
Probably painted in the South Indian city of Hyderabad, the portrait has the dreamy tenderness and l...
In the late seventeenth century, Rajput masters began to develop individualized styles, moving away ...
Still displays the sober elegance of Iran, and recalls both Isfahan and some of the mosques of Const...