The subject of this paper is a recently cleaned fresco displaying a donor portrait in the katholikon of the Great Lavra monastery on Mount Athos known as the portrait of the Byzantine Emperor John Tzimiskes. The author taking into consideration several iconographic elements as well as the new data that came to light in the course of restoration, rejects the possibility of the representation of the Byzantine emperor and identifies the painted image with Wallachian Prince Vlad Vintilă (1532-1535). This is the most representative example of a Romanian ruler portrayed in fresco that excellently reflects the imperial idea
The essential features of the portraits of saints have always been similar. The earliest signs of th...
The paper is devoted to the Early Christian mosaic decoration of Santa Maria Maggiore church in Rome...
Following the chaotic third century, the new sole ruler, Constantine, was forced to re-think the ima...
Beyond the diversity of the forms of socio-economic and cultural-artistic development, at the end of...
The thesis aims to prove, on the one hand that the second half of the nineteenth century was the per...
The topic of this paper is the visual propaganda employed in the Empire of Trebizond to convey a sen...
This paper proposes a new interpretation of the fresco illustrating the Holy Kings in the – today lu...
THE BESSARABIAN ICON OF THE XLX-TH CENTURY represents one of the most interesting artistic phenomen ...
We currently witness a general pursuit of novelty and modernity, which risks to ignore or destroy a ...
The personality of Master of the Litoměřice Altarpiece and his hypothetical activity in St. Wencesla...
The idea of the speech, goes round the importance of byzantine art inside Transylvanian orthodox cul...
none1noCROATO: U kasnoj antici i Bizantu carski je prikaz bio obilježen snažnim ikoničkim značenjem ...
The preserved presentations of the Byzantine basileis of the XIII, XIV and XV centuries show that th...
Byzantine religious manuscripts were commissioned by people from many levels of society. Several con...
This article explores the development of the theme of the Life-giving Spring in Byzantine iconograp...
The essential features of the portraits of saints have always been similar. The earliest signs of th...
The paper is devoted to the Early Christian mosaic decoration of Santa Maria Maggiore church in Rome...
Following the chaotic third century, the new sole ruler, Constantine, was forced to re-think the ima...
Beyond the diversity of the forms of socio-economic and cultural-artistic development, at the end of...
The thesis aims to prove, on the one hand that the second half of the nineteenth century was the per...
The topic of this paper is the visual propaganda employed in the Empire of Trebizond to convey a sen...
This paper proposes a new interpretation of the fresco illustrating the Holy Kings in the – today lu...
THE BESSARABIAN ICON OF THE XLX-TH CENTURY represents one of the most interesting artistic phenomen ...
We currently witness a general pursuit of novelty and modernity, which risks to ignore or destroy a ...
The personality of Master of the Litoměřice Altarpiece and his hypothetical activity in St. Wencesla...
The idea of the speech, goes round the importance of byzantine art inside Transylvanian orthodox cul...
none1noCROATO: U kasnoj antici i Bizantu carski je prikaz bio obilježen snažnim ikoničkim značenjem ...
The preserved presentations of the Byzantine basileis of the XIII, XIV and XV centuries show that th...
Byzantine religious manuscripts were commissioned by people from many levels of society. Several con...
This article explores the development of the theme of the Life-giving Spring in Byzantine iconograp...
The essential features of the portraits of saints have always been similar. The earliest signs of th...
The paper is devoted to the Early Christian mosaic decoration of Santa Maria Maggiore church in Rome...
Following the chaotic third century, the new sole ruler, Constantine, was forced to re-think the ima...