Composition and light, present experiences from a past future

The boundary of photography has changed, innovative technologies has been grafted on the common rules and this has renewed the field of photography in a way much deeper than is commonly believed. This article will attempt to define some guidelines and focal points of the relationship between architecture/photography, in the firm belief that photography is an act of representation and not a simply documentation of the real, with a participation of the photographer to the creation of a personal and specific representation. The logic that will be brought on in this text will be aimed at the demonstration of a variety of common elements and stable within the limits of photography and their chances of being declined at the service of creative needs, thus making the shooting an expressive tool with a versatile appeal, simple and never simplified.