Add to ORKGThe paper outlines a method of reconstructing chants in Byzantine notation from late-18th to early19th centuries. The method is based on the comparison of pieces recorded both in Middle Byzantine and Chrysanthine notations. It consists in selecting a group of pieces with a high grade of similarity (same mode, same style, same composer etc.); segmenting every piece in syntactical units; creating an Old notation-New notation “dictionary” of formulas; determining rules of transcription for non-formulaic units; and checking the validity of the results in groups formed by gradually enlarging the initial group. This method is applied in the paper for the particular case of 24 stichera from the anastasimatarion of Petros Lampadarios Peloponnisios....
The present paper aims to reveal the music features of a unique Heirmologion Kalophonikon, the Greek...
The Middle Byzantine notation (MBn) is used to capture the plainchant melodies of eastern Orthodox C...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...
The possibility of rendering scores of Greek Chant repertoires from the 3rd to the 21st century A.D....
The purpose of the article is to find out the reasons for the appearance and evolution of structural...
This doctoral thesis aims to investigate some aspects of the liturgical and musical tradition of Sou...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
The compositions included in the musical manuscripts known as “Cretan manuscripts” of the 16th and 1...
The phenomenon of exegesis (εξήγησις) of Byzantine music and of transcribing the old musical setting...
Written in the year of Romania’s centennial anniversary as a national state, this paper intends to o...
The purpose of the work is the palaeographic analysis of the alphabet of singing from the manuscript...
The Byzantine chant is a tradition of ecclesiastical vocal music mainly sung in the Greek Orthodox c...
Markos Skoulios' article relates of a peculiar understanding of modality, in general, of the Byzanti...
The Orthodox church chant from South Transylvania is a variant of the Byzantine chant. It was transm...
The paper analyzes the sticheron at the Lity for the Meeting of our Lord, in the Hilandar manuscript...
The present paper aims to reveal the music features of a unique Heirmologion Kalophonikon, the Greek...
The Middle Byzantine notation (MBn) is used to capture the plainchant melodies of eastern Orthodox C...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...
The possibility of rendering scores of Greek Chant repertoires from the 3rd to the 21st century A.D....
The purpose of the article is to find out the reasons for the appearance and evolution of structural...
This doctoral thesis aims to investigate some aspects of the liturgical and musical tradition of Sou...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
The compositions included in the musical manuscripts known as “Cretan manuscripts” of the 16th and 1...
The phenomenon of exegesis (εξήγησις) of Byzantine music and of transcribing the old musical setting...
Written in the year of Romania’s centennial anniversary as a national state, this paper intends to o...
The purpose of the work is the palaeographic analysis of the alphabet of singing from the manuscript...
The Byzantine chant is a tradition of ecclesiastical vocal music mainly sung in the Greek Orthodox c...
Markos Skoulios' article relates of a peculiar understanding of modality, in general, of the Byzanti...
The Orthodox church chant from South Transylvania is a variant of the Byzantine chant. It was transm...
The paper analyzes the sticheron at the Lity for the Meeting of our Lord, in the Hilandar manuscript...
The present paper aims to reveal the music features of a unique Heirmologion Kalophonikon, the Greek...
The Middle Byzantine notation (MBn) is used to capture the plainchant melodies of eastern Orthodox C...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...