Set in the context of the various materialist approaches to literary aesthetics that emerged in the twentieth century, Renfrew's study presents a new synthesis of the work of the Bakhtin school, Russian Formalism, and elements of the 'official' ideology of the early Soviet period. The book's central aim in offering such a synthesis is to negotiate the poles of postmodernist subjectivism and 'traditional' materialism around which much current literary and critical theory has stagnated, and, as the title suggests, to point the way towards a newly conceived material basis for textual and literary analysis
The author of the article argues the canonization of Bakhtin's ideas and appeals to thorough analysi...
The last two decades of Soviet Union\u27s existence witnessed the emergence of new art forms, charac...
This text aims at presenting some of the aspects of Bakhtinian thought – i.e., of works carried out ...
The Bakhtin school's critique of Formalism as a `material aesthetics', culminating in Medvedev's The...
[Δε διατίθεται περίληψη]This article examines some of the pontentials opened by the Bakhtinian appro...
M. M. Bakhtin's views on genre were formed in the 1920-ics and 1930-ies during the polemics with th...
This paper briefly explores some of the ways in which Mikhail Bakhtin reaffirms the principle of the...
Against the background of the constraints of Soviet legacy, the paper concentrates on contemporary, ...
This edited volume assembles the work of leading international scholars in a comprehensive history o...
Bakhtin's work from the late 1920s and 1930s on the novel has been the principal source for critical...
Bakhtin’s work from the late 1920s and 1930s on the novel has been the principal source for critical...
The diversity of Russian literature since "Glasnost" and the collapse of the Soviet Union shows that...
The originality of Bakhtin\u27s fragmentary and partial theory of literary genre is underlined in th...
Introduction: Toward a history of Soviet and post-Soviet literary theory and criticis
Two roads to genuine criticism in the study of art and literature runs parallel. Kantian aestheticia...
The author of the article argues the canonization of Bakhtin's ideas and appeals to thorough analysi...
The last two decades of Soviet Union\u27s existence witnessed the emergence of new art forms, charac...
This text aims at presenting some of the aspects of Bakhtinian thought – i.e., of works carried out ...
The Bakhtin school's critique of Formalism as a `material aesthetics', culminating in Medvedev's The...
[Δε διατίθεται περίληψη]This article examines some of the pontentials opened by the Bakhtinian appro...
M. M. Bakhtin's views on genre were formed in the 1920-ics and 1930-ies during the polemics with th...
This paper briefly explores some of the ways in which Mikhail Bakhtin reaffirms the principle of the...
Against the background of the constraints of Soviet legacy, the paper concentrates on contemporary, ...
This edited volume assembles the work of leading international scholars in a comprehensive history o...
Bakhtin's work from the late 1920s and 1930s on the novel has been the principal source for critical...
Bakhtin’s work from the late 1920s and 1930s on the novel has been the principal source for critical...
The diversity of Russian literature since "Glasnost" and the collapse of the Soviet Union shows that...
The originality of Bakhtin\u27s fragmentary and partial theory of literary genre is underlined in th...
Introduction: Toward a history of Soviet and post-Soviet literary theory and criticis
Two roads to genuine criticism in the study of art and literature runs parallel. Kantian aestheticia...
The author of the article argues the canonization of Bakhtin's ideas and appeals to thorough analysi...
The last two decades of Soviet Union\u27s existence witnessed the emergence of new art forms, charac...
This text aims at presenting some of the aspects of Bakhtinian thought – i.e., of works carried out ...