Thoughts on Contact Improvisation is a stratified text, including excerpts from Steve Paxton’s interview with Folkert Bents, which was originally published in “Theatre Papers” (1982) and was further selected, edited and commented for this issue by Rossella Mazzaglia with a specific contribution by Paxton himself. As a result, the historical source is maintained and recognizable, but it is also enlivened and updated. The main themes Paxton accounts for are: the pedestrian movement in choreography, a definition of improvisation and an investigation of the ways it operates from a psycho-physical, an aesthetic and a pedagogical standpoint, its relation to life and to the actor’s techniques
This essay examines the question whether dance can do philosophy by considering the manner in which ...
On June 20, 2009, late afternoon, I improvised with Joe Sorbara as part of Lex Non Scripta, Ars Non ...
This paper discusses an experimental approach to a three-hour ‘lecture’ in the year 2 Models and The...
This special issue of the Journal of Dance & Somatic Practices focuses on contact [and] improvisatio...
My research paper intends to examine a dance technique – Contact Improvisation- founded by Steve Pax...
This bibliographic article proposes to draw up an inventory of the publications dedicated to the con...
Contact Improvisation (CI) has grown into perhaps the most influential form of contemporary dance im...
We adopted a phenomenological approach, directly engaging with the community of practice of the form...
My research paper intends to examine a dance technique – Contact Improvisation - founded by Steve Pa...
The improvisation in dancing, as a narrow tendency, developed in the past thirty years as a new spac...
The purpose of this paper is to clarify the conception and role of the word "disorientation" in Cont...
International audienceSteve Paxton's pieces from the 1960s present a varied range of understanding o...
Nessa entrevista, Steve Paxton fala sobre a fonte de seu interesse pelo movimento e relata a históri...
The purpose of this research is twofold. Firstly, it aims to clearly describe what makes contact imp...
ABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s a...
This essay examines the question whether dance can do philosophy by considering the manner in which ...
On June 20, 2009, late afternoon, I improvised with Joe Sorbara as part of Lex Non Scripta, Ars Non ...
This paper discusses an experimental approach to a three-hour ‘lecture’ in the year 2 Models and The...
This special issue of the Journal of Dance & Somatic Practices focuses on contact [and] improvisatio...
My research paper intends to examine a dance technique – Contact Improvisation- founded by Steve Pax...
This bibliographic article proposes to draw up an inventory of the publications dedicated to the con...
Contact Improvisation (CI) has grown into perhaps the most influential form of contemporary dance im...
We adopted a phenomenological approach, directly engaging with the community of practice of the form...
My research paper intends to examine a dance technique – Contact Improvisation - founded by Steve Pa...
The improvisation in dancing, as a narrow tendency, developed in the past thirty years as a new spac...
The purpose of this paper is to clarify the conception and role of the word "disorientation" in Cont...
International audienceSteve Paxton's pieces from the 1960s present a varied range of understanding o...
Nessa entrevista, Steve Paxton fala sobre a fonte de seu interesse pelo movimento e relata a históri...
The purpose of this research is twofold. Firstly, it aims to clearly describe what makes contact imp...
ABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s a...
This essay examines the question whether dance can do philosophy by considering the manner in which ...
On June 20, 2009, late afternoon, I improvised with Joe Sorbara as part of Lex Non Scripta, Ars Non ...
This paper discusses an experimental approach to a three-hour ‘lecture’ in the year 2 Models and The...