This paper focuses on two expressions as distinct: “describing” and “painting” with words. Such a distinction is theorized by Leopardi in his Zibaldone and points to the way in which our imagination cooperates with perception in constituting our experience. In this framework I will further address the question of the “double object”. </p
My paper aims to show that “memory” is the basic form of “natural experience”. It surveys two levels...
Questo articolo intende mostrare come il fabbricare, l’usare o il guardare immagini permettano di fa...
In this paper the author discusses the problem about fruition of art from the book edited by Sergio ...
This paper focuses on two expressions as distinct: “describing” and “painting” with words. Such a di...
Leopardi’s reflections on the notion of ‘infinity’ closely concern not just the field of poetry and ...
Il presente lavoro verte sulle tematiche della rappresentazione, il cui concetto è legato ai temi de...
Questa ricerca è volta all’analisi dell’immaginazione nell’opera di Giacomo Leopardi secondo una pro...
The paper explores a wide variety of complements that in Italian syntax happen to have the same refe...
The exceptional nature of poetic language – testified by its patent untranslatability – represents a...
Mind and consciousness have often been characterized together as a couple of indissoluble, literary ...
It’s a matter of fact that images are not taken for signs. Therefore there must be some intrinsic pe...
Lo studio costituisce una indagine preliminare sul ruolo che i codici di rappresentazione iconico e ...
It is assumed the hypothesis that the noun ‘metaphor’ is already the result of a metaphoric transfer...
In the Being’s folds of language. Signifier vs Meaning in art. Certain manuscripts of Maurice Merle...
L’articolo si propone di individuare somiglianze e differenze fra due usi del termine “vero”, quello...
My paper aims to show that “memory” is the basic form of “natural experience”. It surveys two levels...
Questo articolo intende mostrare come il fabbricare, l’usare o il guardare immagini permettano di fa...
In this paper the author discusses the problem about fruition of art from the book edited by Sergio ...
This paper focuses on two expressions as distinct: “describing” and “painting” with words. Such a di...
Leopardi’s reflections on the notion of ‘infinity’ closely concern not just the field of poetry and ...
Il presente lavoro verte sulle tematiche della rappresentazione, il cui concetto è legato ai temi de...
Questa ricerca è volta all’analisi dell’immaginazione nell’opera di Giacomo Leopardi secondo una pro...
The paper explores a wide variety of complements that in Italian syntax happen to have the same refe...
The exceptional nature of poetic language – testified by its patent untranslatability – represents a...
Mind and consciousness have often been characterized together as a couple of indissoluble, literary ...
It’s a matter of fact that images are not taken for signs. Therefore there must be some intrinsic pe...
Lo studio costituisce una indagine preliminare sul ruolo che i codici di rappresentazione iconico e ...
It is assumed the hypothesis that the noun ‘metaphor’ is already the result of a metaphoric transfer...
In the Being’s folds of language. Signifier vs Meaning in art. Certain manuscripts of Maurice Merle...
L’articolo si propone di individuare somiglianze e differenze fra due usi del termine “vero”, quello...
My paper aims to show that “memory” is the basic form of “natural experience”. It surveys two levels...
Questo articolo intende mostrare come il fabbricare, l’usare o il guardare immagini permettano di fa...
In this paper the author discusses the problem about fruition of art from the book edited by Sergio ...
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