Daniel 2 as satire. Readers use intuitive and acquired knowledge about genres in interpreting what they read and hear, underlining the importance of establishing the genre of a specific piece of literature. The genre of the tales in the Book of Daniel (1–6) has been researched over a long period, without leading to a consensus. In this article it is suggested that the genre of the tales in Daniel may be described in terms of satire, used as a means of resistance to foreign political oppression. Especially humor and irony are utilised in the satire to describe Jewish perception of the oppression and oppressor, and to make suggestions for acting in the crisis situation of Antiochus’ suppression of the Jewish religion. This is demonstrated in ...
The aim of this paper is to show that the LXX book of Esther is to be read as a satirical drama. The...
Apocalyptic literature generally confronts the reader with an array of images, which are often quite...
It becomes clear that the narrative of Daniel 3 is part of a larger narrative that already starts in...
Readers use intuitive and acquired knowledge about genres in interpreting what they read and hear, u...
Daniel 2 as satire. Readers use intuitive and acquired knowledge about genres in interpreting what t...
This article investigates some aspects of Daniel 2 and attempts to demonstrate the value of the lite...
This article investigates some aspects of Daniel 2 and attempts to demonstrate the value of the lite...
This study examines the portrayal of foreign kings in Dan 1–6, suggesting a new interpretive approac...
A Semiotic analysis of Daniel 2 In an accompanying article the method of semiotics is described and ...
<strong>A Semiotic analysis of Daniel 2</strong><p>In an accompanying article the ...
In recent years, through the process of narrative and literary criticism, scholars have begun sugges...
In recent years, through the process of narrative and literary criticism, scholars have begun sugges...
The story of Daniel in the lion s pit (Dan 6) is still one of the most well–known stories in the HB....
The story of Daniel in the lion’s pit (Daniel 6) is still one of the most well-known stories in the ...
In the following paper I will attempt to define the genre of Daniel 2 according to its dream charact...
The aim of this paper is to show that the LXX book of Esther is to be read as a satirical drama. The...
Apocalyptic literature generally confronts the reader with an array of images, which are often quite...
It becomes clear that the narrative of Daniel 3 is part of a larger narrative that already starts in...
Readers use intuitive and acquired knowledge about genres in interpreting what they read and hear, u...
Daniel 2 as satire. Readers use intuitive and acquired knowledge about genres in interpreting what t...
This article investigates some aspects of Daniel 2 and attempts to demonstrate the value of the lite...
This article investigates some aspects of Daniel 2 and attempts to demonstrate the value of the lite...
This study examines the portrayal of foreign kings in Dan 1–6, suggesting a new interpretive approac...
A Semiotic analysis of Daniel 2 In an accompanying article the method of semiotics is described and ...
<strong>A Semiotic analysis of Daniel 2</strong><p>In an accompanying article the ...
In recent years, through the process of narrative and literary criticism, scholars have begun sugges...
In recent years, through the process of narrative and literary criticism, scholars have begun sugges...
The story of Daniel in the lion s pit (Dan 6) is still one of the most well–known stories in the HB....
The story of Daniel in the lion’s pit (Daniel 6) is still one of the most well-known stories in the ...
In the following paper I will attempt to define the genre of Daniel 2 according to its dream charact...
The aim of this paper is to show that the LXX book of Esther is to be read as a satirical drama. The...
Apocalyptic literature generally confronts the reader with an array of images, which are often quite...
It becomes clear that the narrative of Daniel 3 is part of a larger narrative that already starts in...