The article deals with the commission made out by the Portuguese merchant banker António da Fonseca to Baldassarre Croce to decorate his family chapel in the church of San Giacomo degli Spagnoli in Rome, the national church of Castille. Fonseca was an outsider on account of his being Portuguese and of Jewish origin yet chose to have his family interred there in a chapel dedicated to the Resurrection. The choice of the church itself, the commission to Croce, and the Resurrection motif fits into a strategy on his part to seek legitimacy and social capital for himself and his family in order to integrate into Roman society
The construction of the church of Sts Ildephonsus and Thomas of Villanova on the Via Sistina in Rome...
International audienceThis article goes back to the question of Cardinal d’Acquasparta’s tomb in San...
In the article the iconology of the Communion of the Apostles appears reconsidered, an altarpiece ma...
The article presents the case of the merchant-banker Jerónimo da Fonseca and his activities in Rome ...
The article presents the case of the merchant-banker Jerónimo da Fonseca and his activities i...
In the late Trecento, after a long period of disregard, the Roman basilica of Santa Croce in Gersual...
Recent restorations of the seventeenth-century paintings in the cloister of the church of SS. Cosma ...
The article presents the case of the inheritance of the New Christian merchant banker António da Fo...
The article analyzes the public use of an icon in the early modern era, namely a Lamenting Virgin, p...
The article deals with some archival discoveries relating to two altarpieces commissioned by the Bar...
This article discusses the marble tabernacle made to contain a wooden Crucifix by Giovanni Pisano, o...
El artículo presenta el caso del mercader-banquero Jerónimo da Fonseca y sus actividades en Roma par...
The article proposes a biographical portrait of friar Angelo Monesi (1577-1656) and the circumstance...
The article analyzes the altarpiece created in 1650 by the Roman painter Benigno Vangelini for the c...
S. Croce in Gerusalemme, one of Rome's oldest churches, has been an important pilgrimage site for ce...
The construction of the church of Sts Ildephonsus and Thomas of Villanova on the Via Sistina in Rome...
International audienceThis article goes back to the question of Cardinal d’Acquasparta’s tomb in San...
In the article the iconology of the Communion of the Apostles appears reconsidered, an altarpiece ma...
The article presents the case of the merchant-banker Jerónimo da Fonseca and his activities in Rome ...
The article presents the case of the merchant-banker Jerónimo da Fonseca and his activities i...
In the late Trecento, after a long period of disregard, the Roman basilica of Santa Croce in Gersual...
Recent restorations of the seventeenth-century paintings in the cloister of the church of SS. Cosma ...
The article presents the case of the inheritance of the New Christian merchant banker António da Fo...
The article analyzes the public use of an icon in the early modern era, namely a Lamenting Virgin, p...
The article deals with some archival discoveries relating to two altarpieces commissioned by the Bar...
This article discusses the marble tabernacle made to contain a wooden Crucifix by Giovanni Pisano, o...
El artículo presenta el caso del mercader-banquero Jerónimo da Fonseca y sus actividades en Roma par...
The article proposes a biographical portrait of friar Angelo Monesi (1577-1656) and the circumstance...
The article analyzes the altarpiece created in 1650 by the Roman painter Benigno Vangelini for the c...
S. Croce in Gerusalemme, one of Rome's oldest churches, has been an important pilgrimage site for ce...
The construction of the church of Sts Ildephonsus and Thomas of Villanova on the Via Sistina in Rome...
International audienceThis article goes back to the question of Cardinal d’Acquasparta’s tomb in San...
In the article the iconology of the Communion of the Apostles appears reconsidered, an altarpiece ma...