The perception of an illusory surface, a subjectively perceived surface that is not given in the image, is one of the most intriguing phenomena in vision. It strongly influences the perception of some fundamental properties, namely, depth, lightness and contours. Recently, we suggested (1) that the context-sensitive mechanism of depth computation plays a key role in creating the illusion, (2) that the illusory lightness perception can be explained by an influence of depth perception on the lightness computation, and (3) that the perception of variations of the Kanizsa figure can be well-reproduced by implementing these principles in a model (Kogo, Strecha, et al., 2010). However, depth perception, lightness perception, contour perception, a...
AbstractPhysiological, computational, and psychophysical studies of stereopsis have assumed that the...
When we look at a scene, how do we consciously see surfaces infused with lightness and color at the ...
AbstractCognitive and figural cues were studied in modified Ehrenstein figures made from letters of ...
The perception of an illusory surface, a subjectively perceived surface that is not given in the ima...
AbstractThe perception of an illusory surface, a subjectively perceived surface that is not given in...
Human visual perception is a fundamentally relational process: Lightness perception depends on lumin...
Stereoscopic surfaces constructed from Kanizsa-type illusory contours or explicit luminance contours...
Human visual perception is a fundamentally relational process: Lightness perception depends on lumin...
When occlusion and binocular disparity cues conflict, what visual features determine how they combin...
Depth stratification in illusory-contour figures was studied by superimposing Kanizsa figures on het...
Part 1: The first part of this thesis outlines major concepts important for later analyses. Chapter ...
AbstractWe investigated four geometric optical illusions (Zöllner, Müller-Lyer, Pnzo and Delboeuf), ...
Recent experiments have established that monocular areas arising due to occlusion of one object by a...
The visual perception of monocular stimuli perceived as 3-D objects has received considerable attent...
Research in stereoscopic vision has found that monocular occlusion zones act as additional informati...
AbstractPhysiological, computational, and psychophysical studies of stereopsis have assumed that the...
When we look at a scene, how do we consciously see surfaces infused with lightness and color at the ...
AbstractCognitive and figural cues were studied in modified Ehrenstein figures made from letters of ...
The perception of an illusory surface, a subjectively perceived surface that is not given in the ima...
AbstractThe perception of an illusory surface, a subjectively perceived surface that is not given in...
Human visual perception is a fundamentally relational process: Lightness perception depends on lumin...
Stereoscopic surfaces constructed from Kanizsa-type illusory contours or explicit luminance contours...
Human visual perception is a fundamentally relational process: Lightness perception depends on lumin...
When occlusion and binocular disparity cues conflict, what visual features determine how they combin...
Depth stratification in illusory-contour figures was studied by superimposing Kanizsa figures on het...
Part 1: The first part of this thesis outlines major concepts important for later analyses. Chapter ...
AbstractWe investigated four geometric optical illusions (Zöllner, Müller-Lyer, Pnzo and Delboeuf), ...
Recent experiments have established that monocular areas arising due to occlusion of one object by a...
The visual perception of monocular stimuli perceived as 3-D objects has received considerable attent...
Research in stereoscopic vision has found that monocular occlusion zones act as additional informati...
AbstractPhysiological, computational, and psychophysical studies of stereopsis have assumed that the...
When we look at a scene, how do we consciously see surfaces infused with lightness and color at the ...
AbstractCognitive and figural cues were studied in modified Ehrenstein figures made from letters of ...