"Authorship" in the context of Kinshasa's television serials is a complex, multilayered concept. The participation of sacred powers and of the audience as well as the role of improvisation all undermine the idea of one, single author producing a stable script. Based on ethnographic research, this chapter deconstructs the idea of the author, and brings in cultural notions and expectations towards artistic production and also the urban media infrastructure in order to explore creativity, ownership and cultural adaptation in the generation of Kinshasa's fictional television narratives.edition: 1ststatus: publishe
The social spaces of remediation. Congolese urban dance music in late postcolonial KinshasaFollowing...
Since the emergence of charismatic Christianity in the mid-1990s, postcolonial African public sphere...
Sub-Saharan African public spheres have increasingly transformed following the Pentecostalist wave t...
Popular culture has often been described as apolitical. In particular the format of TV fiction has a...
Since 1996, Kinshasa’s mediascape has witnessed a significant transformation. In that year, Presiden...
In this article, I delineate the zone of TV serials in Kinshasa as a space in which young people and...
Based on ethnographic research among Kinshasa’s evangelizing TV actors, this paper discusses the plo...
“Authorship, Audience, and Authenticity: Strategies of Meta-Representation in Contemporary African A...
This article explores political transgression in Kinshasa’s media space and informal and official re...
Since the early 1990s Pentecostal-Charismatic Church membership has grown spectacularly in Africa. S...
Publication based on a Selected Presentation at the Conference "Media and Social Change in Africa", ...
Many sub-Saharan African societies have undergone significant political shifts in the last two decad...
A Companion to Media Authorship offers 28 groundbreaking chapters which investigate the practices, a...
The concept of the author has changed over time, along with the forms of media that have been used t...
Media aesthetics in Kinshasa have undergone tremendous changes since President Mobutu opened up loca...
The social spaces of remediation. Congolese urban dance music in late postcolonial KinshasaFollowing...
Since the emergence of charismatic Christianity in the mid-1990s, postcolonial African public sphere...
Sub-Saharan African public spheres have increasingly transformed following the Pentecostalist wave t...
Popular culture has often been described as apolitical. In particular the format of TV fiction has a...
Since 1996, Kinshasa’s mediascape has witnessed a significant transformation. In that year, Presiden...
In this article, I delineate the zone of TV serials in Kinshasa as a space in which young people and...
Based on ethnographic research among Kinshasa’s evangelizing TV actors, this paper discusses the plo...
“Authorship, Audience, and Authenticity: Strategies of Meta-Representation in Contemporary African A...
This article explores political transgression in Kinshasa’s media space and informal and official re...
Since the early 1990s Pentecostal-Charismatic Church membership has grown spectacularly in Africa. S...
Publication based on a Selected Presentation at the Conference "Media and Social Change in Africa", ...
Many sub-Saharan African societies have undergone significant political shifts in the last two decad...
A Companion to Media Authorship offers 28 groundbreaking chapters which investigate the practices, a...
The concept of the author has changed over time, along with the forms of media that have been used t...
Media aesthetics in Kinshasa have undergone tremendous changes since President Mobutu opened up loca...
The social spaces of remediation. Congolese urban dance music in late postcolonial KinshasaFollowing...
Since the emergence of charismatic Christianity in the mid-1990s, postcolonial African public sphere...
Sub-Saharan African public spheres have increasingly transformed following the Pentecostalist wave t...