We explore how two architects who lost their sight found ways of continuing their practice. Both developed their own design tools, based partly on traditional scaled representations in architecture. How do they cope with scale in these tools which are mostly used in a haptic way? And how does this haptic designing relate to the haptic qualities of their designs? We conclude that, for the haptic design process we observed, the notion of scale can be expanded from a relation between conception and perception to a relation between perception in the design process and perception of the built form.status: publishe
Previous work in real and virtual settings have shown that the way in which we interact with objects...
This study presents preliminary results of an experiment of production and use of tactile models to ...
Historically, haptics—all different aspects of the sense of touch and its study—has developed around...
Architectural design is characterized by a visual bias, as evidenced in architectural theory and des...
Architecture is experienced in a multisensory way. Moreover, human capacities to perceive architectu...
While architecture is experienced with all senses, the visual tends to receive most attention. This ...
This paper expects to concur for the study of the relationship between technology, knowledge and rep...
This paper aims at contributing to the study of the relationship between technology, knowledge and r...
Architecture is experienced in a multisensorial way. Moreover, human capacities to perceive architec...
Architects like other designers tend to think, know and work in a visual way. In design research, th...
Previous work in real and virtual settings has shown that the way in which we interact with objects ...
Scale is a word which underlies much of architectural and urban design practice, its history and the...
The notion of .scale., in architecture, has a variety of meanings. In general, it refers to a gradua...
The recent advent of haptic devices (one of the tangible user interface technologies for design) off...
Ocular-centrism is the utilitarian-aesthetic perspective which dominates the perception of spatial q...
Previous work in real and virtual settings have shown that the way in which we interact with objects...
This study presents preliminary results of an experiment of production and use of tactile models to ...
Historically, haptics—all different aspects of the sense of touch and its study—has developed around...
Architectural design is characterized by a visual bias, as evidenced in architectural theory and des...
Architecture is experienced in a multisensory way. Moreover, human capacities to perceive architectu...
While architecture is experienced with all senses, the visual tends to receive most attention. This ...
This paper expects to concur for the study of the relationship between technology, knowledge and rep...
This paper aims at contributing to the study of the relationship between technology, knowledge and r...
Architecture is experienced in a multisensorial way. Moreover, human capacities to perceive architec...
Architects like other designers tend to think, know and work in a visual way. In design research, th...
Previous work in real and virtual settings has shown that the way in which we interact with objects ...
Scale is a word which underlies much of architectural and urban design practice, its history and the...
The notion of .scale., in architecture, has a variety of meanings. In general, it refers to a gradua...
The recent advent of haptic devices (one of the tangible user interface technologies for design) off...
Ocular-centrism is the utilitarian-aesthetic perspective which dominates the perception of spatial q...
Previous work in real and virtual settings have shown that the way in which we interact with objects...
This study presents preliminary results of an experiment of production and use of tactile models to ...
Historically, haptics—all different aspects of the sense of touch and its study—has developed around...