The secondary ticketing market impacts many parts of Broadway. The lack of regulations on unauthorized resale has led to brokers scooping up tickets and reselling the tickets for inflated prices before consumers can purchase them. Producers claim it is unfair for other parties to profit from their work, while brokers claim they are fulfilling an economic necessity. Too often, it is the consumer that is harmed by unauthorized resale, whether it is because of inflated prices, misinformation, or the fraud that can thrive in an unprotected marketplace. This case study examines the approaches Broadway theatres take to interact with the secondary market. Through interviews with producers, theatre owners, and ticketing departments from nonprofit a...
The development and growth of the secondary ticket market over the last few decades was discussed, i...
We estimate an equilibrium model of ticket resale in which consumers ’ and brokers ’ decisions in th...
Abstract. This paper develops a model that jointly explains excess demand for performance events and...
When a concert or sporting event sells out, the performer appears popular and the venue enjoys the o...
Although most economists assume that ticket scalping is efficient, existing theoretical models make ...
Tickets for many live entertainment events are distributed in a primary market and then resold on a ...
Broadway shows aren’t an artform that is accessible to everyone, between the economic and geographic...
Due to the rapid growth of the secondary resale market, purchasing tickets at their face-value price...
This analysis will first look at theatrical ticketing over recent history, establishing how the trad...
As a result of the occasional unethical business practices of its members, such as price gouging and...
The live music business has developed to become the most profitable sector within the overall music ...
Do ticket-scalping laws affect the sales of tickets resold online? Currently, many states have laws ...
Cardi B and Offset may have stolen the stage at the Rolling Loud Festival in December, but the issue...
This capstone analyzes the for-profit resale market for tickets to large concerts in British Columbi...
A large number of brokers and scalpers resell a significant fraction of event tickets at substantial...
The development and growth of the secondary ticket market over the last few decades was discussed, i...
We estimate an equilibrium model of ticket resale in which consumers ’ and brokers ’ decisions in th...
Abstract. This paper develops a model that jointly explains excess demand for performance events and...
When a concert or sporting event sells out, the performer appears popular and the venue enjoys the o...
Although most economists assume that ticket scalping is efficient, existing theoretical models make ...
Tickets for many live entertainment events are distributed in a primary market and then resold on a ...
Broadway shows aren’t an artform that is accessible to everyone, between the economic and geographic...
Due to the rapid growth of the secondary resale market, purchasing tickets at their face-value price...
This analysis will first look at theatrical ticketing over recent history, establishing how the trad...
As a result of the occasional unethical business practices of its members, such as price gouging and...
The live music business has developed to become the most profitable sector within the overall music ...
Do ticket-scalping laws affect the sales of tickets resold online? Currently, many states have laws ...
Cardi B and Offset may have stolen the stage at the Rolling Loud Festival in December, but the issue...
This capstone analyzes the for-profit resale market for tickets to large concerts in British Columbi...
A large number of brokers and scalpers resell a significant fraction of event tickets at substantial...
The development and growth of the secondary ticket market over the last few decades was discussed, i...
We estimate an equilibrium model of ticket resale in which consumers ’ and brokers ’ decisions in th...
Abstract. This paper develops a model that jointly explains excess demand for performance events and...