Space: it\u27s everywhere, all around, a given. It\u27s abstract and yet not abstract at all, because it governs all human relations, shapes the way we understand our place on the planet, and orients us toward others (for better and for worse). How do theatre scholars understand space and place in performance? What tools do they use to theorize the political work space does on – and beyond – the stage? How can students use these tools to unpack the workings of space and place in the performances they see, the plays they study, and the experiences they have outside their classrooms?Theory for Theatre Studies: Space provides a comprehensive introduction to the \u27spatial turn\u27 in modern theatre and performance theory, exploring topics as ...
This article is an edited transcript of a panel discussion on ‘Space and Spatiality in Theory ’ whic...
«All the world is a stage», wrote Petronius, and the same was repeated by William Shakespeare plagia...
The paper introduces a monographical issue of Anglistica AION dedicated to the theatre’s potential t...
Space: it\u27s everywhere, all around, a given. It\u27s abstract and yet not abstract at all, becaus...
Space is the first accessible text which provides a comprehensive examination of approaches that hav...
This issue of Anglistica AION investigates the theatre’s potential to mediate the relationship betwe...
Baz Kershaw argues that theatre buildings are embedded within a “disciplinary system” that traps aud...
This chapter traces theatre’s spatial and architectural evolution and elaboration: how it ‘takes pla...
In this chapter, the author documents her teaching experiences in the MAIPR programme in terms of ho...
Drawing on the tenets of cognitive science, particularly Lakoff and Johnson's writing on metaphor, t...
This article is an edited transcript of a panel discussion on ‘Space and Spatiality in Theory’ which...
[Δεν υπάρχει περίληψη]Is there any relationship between the study of theatre's architecture, its geo...
This research explores how plays and performances are affected by their physical location. I will us...
This chapter arises out of the creation of performances of Marguerite Duras's Eden Cinema (L'Éden ci...
The Potentials of Space interrogates the relationship between scenography and performance in contemp...
This article is an edited transcript of a panel discussion on ‘Space and Spatiality in Theory ’ whic...
«All the world is a stage», wrote Petronius, and the same was repeated by William Shakespeare plagia...
The paper introduces a monographical issue of Anglistica AION dedicated to the theatre’s potential t...
Space: it\u27s everywhere, all around, a given. It\u27s abstract and yet not abstract at all, becaus...
Space is the first accessible text which provides a comprehensive examination of approaches that hav...
This issue of Anglistica AION investigates the theatre’s potential to mediate the relationship betwe...
Baz Kershaw argues that theatre buildings are embedded within a “disciplinary system” that traps aud...
This chapter traces theatre’s spatial and architectural evolution and elaboration: how it ‘takes pla...
In this chapter, the author documents her teaching experiences in the MAIPR programme in terms of ho...
Drawing on the tenets of cognitive science, particularly Lakoff and Johnson's writing on metaphor, t...
This article is an edited transcript of a panel discussion on ‘Space and Spatiality in Theory’ which...
[Δεν υπάρχει περίληψη]Is there any relationship between the study of theatre's architecture, its geo...
This research explores how plays and performances are affected by their physical location. I will us...
This chapter arises out of the creation of performances of Marguerite Duras's Eden Cinema (L'Éden ci...
The Potentials of Space interrogates the relationship between scenography and performance in contemp...
This article is an edited transcript of a panel discussion on ‘Space and Spatiality in Theory ’ whic...
«All the world is a stage», wrote Petronius, and the same was repeated by William Shakespeare plagia...
The paper introduces a monographical issue of Anglistica AION dedicated to the theatre’s potential t...