This article presents an analysis of the recent Russian cinematic sensation, Andrei Zvyagintsev's fourth feature, Leviathan (2014). While earlier discussions of the film have focused on its thematic concerns, often ignoring its style and privileging narrative over image, this article foregrounds the aesthetics of the film drawing on Jaques Rancière's recent discussion of the regimes of arts.</p
This article seeks to explore the reasons for the diverging curves in film production and audience r...
The article presents the study of the short film Apocrypha by Andrei Zvyagintsev. The text is aimed ...
Based on the example of Darren Aronofsky’s film Black Swan, the article explores the disillusive pot...
In this article two films directed by Andrei Zviagintsev, Elena (2011) and Leviathan (2014), are com...
In this article the authors analyse Andrei Zvyagintsev’s feature film Leviathan (2014) from the pers...
The article focuses on an interpretation of Andrei Zvyagintsev’s film Leviathan in the context of th...
Leviathan by Andrey Zvyagintsev is a movie that depicts the world in a state of nature, with no pr...
Through an analysis of government documents regulating the film industry, I examine the structure an...
This article explores apophatic ways of presenting God (the Other) in two films of Andrey Zvyagintse...
Der Leviatan des Alten Testaments ist eines jener auch im Alten Orient und im antiken Ägypten belegt...
Leviathan is an ambitious artistic project looking at some of the urgent issues of our times through...
Andrei Zvyagintsev often emphasises the opinion that Russian culture originates from classic Russian...
The article explores «the hero's journey» – a universal mythological formula widely used in the cine...
Russian director Andrei Zvyagintsev’s Elena is a brilliant display of artistry and narrative. The fi...
This article aims to investigate the political and conceptual power of the successful and highly pra...
This article seeks to explore the reasons for the diverging curves in film production and audience r...
The article presents the study of the short film Apocrypha by Andrei Zvyagintsev. The text is aimed ...
Based on the example of Darren Aronofsky’s film Black Swan, the article explores the disillusive pot...
In this article two films directed by Andrei Zviagintsev, Elena (2011) and Leviathan (2014), are com...
In this article the authors analyse Andrei Zvyagintsev’s feature film Leviathan (2014) from the pers...
The article focuses on an interpretation of Andrei Zvyagintsev’s film Leviathan in the context of th...
Leviathan by Andrey Zvyagintsev is a movie that depicts the world in a state of nature, with no pr...
Through an analysis of government documents regulating the film industry, I examine the structure an...
This article explores apophatic ways of presenting God (the Other) in two films of Andrey Zvyagintse...
Der Leviatan des Alten Testaments ist eines jener auch im Alten Orient und im antiken Ägypten belegt...
Leviathan is an ambitious artistic project looking at some of the urgent issues of our times through...
Andrei Zvyagintsev often emphasises the opinion that Russian culture originates from classic Russian...
The article explores «the hero's journey» – a universal mythological formula widely used in the cine...
Russian director Andrei Zvyagintsev’s Elena is a brilliant display of artistry and narrative. The fi...
This article aims to investigate the political and conceptual power of the successful and highly pra...
This article seeks to explore the reasons for the diverging curves in film production and audience r...
The article presents the study of the short film Apocrypha by Andrei Zvyagintsev. The text is aimed ...
Based on the example of Darren Aronofsky’s film Black Swan, the article explores the disillusive pot...