1 h 21 minSupport Structures Céline Condorelli’s practice is concerned with how our encounter with the material world happens through counting on it, and the fact that all human action takes place amidst countless structures of support mostly taken for granted, and therefore appearing almost invisible. «I have been investigating forms of display by problematizing the notion of ‘support’–the physical, economical, social, political structures and infrastructures that correspond to conditions of possibility. I am interested in working with the manifestations of blindness towards them, and do so by re-imagining them through a variety of possible relations between context, exhibition, work and the public; which has in turn allowed the que...
Exhibition design can be decisive in communicating the message of an exhibition, creating spatial so...
Supporting Objects comprises several series of re-worked objects, images of the human body and eleme...
In the twentieth century, more so than at any other time, media transformed architecture. No archite...
Can objects be separated from how they are shown, repaired, treated, classified, owned and valued? I...
This thesis develops an original notion of 'support' as a critical lens through which to investigate...
Galleria Franco Noero is pleased to announce the third solo exhibition by Phillip Lai in Turin, the ...
Projective Space was a solo exhibition at the Galerie Sebastianskapelle, Ulm (2004) The exhibiti...
‘Conditions of Visibility’ is a three screen video projection installation and exhibition of wall mo...
The Graham Foundation is pleased to present Spaces without drama or surface is an illusion, but so i...
The Italian artist Alberto Burri is known for his artistic research on the expressiveness of materia...
This exhibition was the first public presentation and culmination of a consistent series of works ma...
The popular sentiment in curation among contemporary British art institutions has emphasized the att...
Text accompanying the exhibition:- The artist’s studio is traditionally seen as the location of ind...
‘The sky was clearer in those days’ realised a large-scale interventional live art work within the c...
As an artist my research involves investigating the nature of visual perception, arriving at novel w...
Exhibition design can be decisive in communicating the message of an exhibition, creating spatial so...
Supporting Objects comprises several series of re-worked objects, images of the human body and eleme...
In the twentieth century, more so than at any other time, media transformed architecture. No archite...
Can objects be separated from how they are shown, repaired, treated, classified, owned and valued? I...
This thesis develops an original notion of 'support' as a critical lens through which to investigate...
Galleria Franco Noero is pleased to announce the third solo exhibition by Phillip Lai in Turin, the ...
Projective Space was a solo exhibition at the Galerie Sebastianskapelle, Ulm (2004) The exhibiti...
‘Conditions of Visibility’ is a three screen video projection installation and exhibition of wall mo...
The Graham Foundation is pleased to present Spaces without drama or surface is an illusion, but so i...
The Italian artist Alberto Burri is known for his artistic research on the expressiveness of materia...
This exhibition was the first public presentation and culmination of a consistent series of works ma...
The popular sentiment in curation among contemporary British art institutions has emphasized the att...
Text accompanying the exhibition:- The artist’s studio is traditionally seen as the location of ind...
‘The sky was clearer in those days’ realised a large-scale interventional live art work within the c...
As an artist my research involves investigating the nature of visual perception, arriving at novel w...
Exhibition design can be decisive in communicating the message of an exhibition, creating spatial so...
Supporting Objects comprises several series of re-worked objects, images of the human body and eleme...
In the twentieth century, more so than at any other time, media transformed architecture. No archite...