Add to ORKGThe history of the British film industry and the art of British film making is inextricably linked with the early production of socially sensitive documentary films. This connection has largely been forgotten in our time. The article (chapter) is intended to revive and underline this link
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never bee...
In the 1930s, the documentary film movement had experimented with non-theatrical distribution and th...
This article focuses on Eastmancolor’s introduction in the British film industry from 1954 to the co...
The 1930s saw the emergence of the British documentary as a distinct mode of film practice that stro...
This thesis explores the early years of the British documentary movement as it formed within the Emp...
This book gives the first account of the volunteer-led film society movement in Britain and its cont...
The British Film Institute (BFI) is one of the UK's oldest and most important government-supported c...
The 1930s saw the emergence of the British documentary as a distinct mode of film practice that stro...
"Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never be...
Really I don’t think there’s been any contribution by Britain to documentary in the last ten years o...
Russian and Soviet film heritage occupies a special place in the histories of European cinema. It wa...
Drawing upon original ethnographic research of rural Welsh audiences, this article meets a burgeonin...
This article examines recent developments in documentary film-making in British and German film coll...
This thesis examines how the reading and writing of the post-war British novel is altered by the eme...
This thesis is an inquiry into the aims of the postwar film society movement. Film societies provide...
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never bee...
In the 1930s, the documentary film movement had experimented with non-theatrical distribution and th...
This article focuses on Eastmancolor’s introduction in the British film industry from 1954 to the co...
The 1930s saw the emergence of the British documentary as a distinct mode of film practice that stro...
This thesis explores the early years of the British documentary movement as it formed within the Emp...
This book gives the first account of the volunteer-led film society movement in Britain and its cont...
The British Film Institute (BFI) is one of the UK's oldest and most important government-supported c...
The 1930s saw the emergence of the British documentary as a distinct mode of film practice that stro...
"Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never be...
Really I don’t think there’s been any contribution by Britain to documentary in the last ten years o...
Russian and Soviet film heritage occupies a special place in the histories of European cinema. It wa...
Drawing upon original ethnographic research of rural Welsh audiences, this article meets a burgeonin...
This article examines recent developments in documentary film-making in British and German film coll...
This thesis examines how the reading and writing of the post-war British novel is altered by the eme...
This thesis is an inquiry into the aims of the postwar film society movement. Film societies provide...
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never bee...
In the 1930s, the documentary film movement had experimented with non-theatrical distribution and th...
This article focuses on Eastmancolor’s introduction in the British film industry from 1954 to the co...