This article highlights the cultural, economic, historical, and political criteria that influence the current international policy of the Pompidou Center, particularly a new interest in non-Western art in Arabic-speaking countries. It focuses on works produced by Moroccan artists that are part of the collections of the National Museum of Modern Art - Centre Pompidou in Paris. It includes a brief introduction to some key milestones in Moroccan art history that help contextualize the research project
The article seeks to highlight the chronotopes of delivery in modern Moroccan theatre and show how ...
The Moroccan national museum as an institution has a long and complicated history. A product of colo...
The history of walls in Morocco is extremely rich. Walls have played a powerful role throughout hist...
Female artists are actively participating in the development and growth of visual arts in Morocco. T...
In asking the question, Which way to the modern art museum? this dissertation explores how the Moroc...
This dissertation offers the first in-depth, socio-political history of the National Institute of Fi...
The annual Pintores de África exhibitions, organised by Franco’s colonial administration in mid-twen...
This study discusses the development of traditional poles that influence modern visual arts based on...
It is clear that Art in the Service of Colonialism fills a distinct lack in the body of art historic...
This article takes a contemporary look at the practice of self-portraiture by three artists from Mor...
This dissertation focuses on artistic modernism in Morocco. It articulates the local iteration of tr...
This dissertation argues that transnational negotiations over the meaning and content of Morocco’s c...
This is the catalogue of the exhibition "Looking Out, Looking In: Contemporary Artists from Morocco"...
The exhibition Ahmed Cherkaoui: Entre Modernité et Enracinement, Museum Mohammed VI for Modern and C...
Artisans of traditional crafts in Morocco face extreme exploitation from middlemen/resellers and are...
The article seeks to highlight the chronotopes of delivery in modern Moroccan theatre and show how ...
The Moroccan national museum as an institution has a long and complicated history. A product of colo...
The history of walls in Morocco is extremely rich. Walls have played a powerful role throughout hist...
Female artists are actively participating in the development and growth of visual arts in Morocco. T...
In asking the question, Which way to the modern art museum? this dissertation explores how the Moroc...
This dissertation offers the first in-depth, socio-political history of the National Institute of Fi...
The annual Pintores de África exhibitions, organised by Franco’s colonial administration in mid-twen...
This study discusses the development of traditional poles that influence modern visual arts based on...
It is clear that Art in the Service of Colonialism fills a distinct lack in the body of art historic...
This article takes a contemporary look at the practice of self-portraiture by three artists from Mor...
This dissertation focuses on artistic modernism in Morocco. It articulates the local iteration of tr...
This dissertation argues that transnational negotiations over the meaning and content of Morocco’s c...
This is the catalogue of the exhibition "Looking Out, Looking In: Contemporary Artists from Morocco"...
The exhibition Ahmed Cherkaoui: Entre Modernité et Enracinement, Museum Mohammed VI for Modern and C...
Artisans of traditional crafts in Morocco face extreme exploitation from middlemen/resellers and are...
The article seeks to highlight the chronotopes of delivery in modern Moroccan theatre and show how ...
The Moroccan national museum as an institution has a long and complicated history. A product of colo...
The history of walls in Morocco is extremely rich. Walls have played a powerful role throughout hist...