Published in conjunction with Black Dog Publishing, UK, this richly illustrated book includes critical essays on concrete poetry and Michael Morris, featuring a chronology of Morris’s prolific practice from the mid-1960s onwards. It follows the 2012 exhibition of the same name that was held at the Belkin Art Gallery, which focused on a series of large-scale paintings with inserted mirrors that Morris made in 1969 — his last paintings until the early 1980s — brought together at the Belkin for the first time since then. The Belkin’s show presented the paintings in the context of contemporaneous examples of concrete poetry, a practice that had influenced Morris and catalyzed his move into other forms of art making such as sculpture, photograph...
Documenting visual and poetry works, the authors focus on the history of concrete poetry, language, ...
Extensive interview with art historian, curator and concrete poet Stephen Bann by Gustavo Grandal Mo...
An analysis of the use of the term 'concrete' in twentieth-century art.PostprintPeer reviewe
Published in conjunction with Black Dog Publishing, UK, this richly illustrated book includes critic...
Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of...
This dissertation positions the International Concrete Poetry movement within its historical moment ...
Master of ArtsDepartment of Modern LanguagesConcrete poetry is a new and revolutionary poetry. It wa...
Artists: Jeremy Adler, Annalisa Alloatti, Max Bense, Mirella Bentivoglio, Alison Bielski, Claus Brem...
After World War II, New York City became an international cultural capital, and poets and artists fl...
This thesis examines concrete poetry in England and Scotland from 1962 to 1975. Through the 1950s-7...
The New Concrete is a long-overdue survey of the rise of concrete poetry in the digital age. The acc...
The identity of the global concrete movement has depended on a set of explicit and implicit categori...
This thesis examines the visual aspects of concrete poetry in the context of the new conditions of i...
This thesis explores the past and present of concrete poetry with the purpose of finding out whether...
The article discusses Edwin Morgan's transformation to concrete poetry where one of concrete's appea...
Documenting visual and poetry works, the authors focus on the history of concrete poetry, language, ...
Extensive interview with art historian, curator and concrete poet Stephen Bann by Gustavo Grandal Mo...
An analysis of the use of the term 'concrete' in twentieth-century art.PostprintPeer reviewe
Published in conjunction with Black Dog Publishing, UK, this richly illustrated book includes critic...
Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of...
This dissertation positions the International Concrete Poetry movement within its historical moment ...
Master of ArtsDepartment of Modern LanguagesConcrete poetry is a new and revolutionary poetry. It wa...
Artists: Jeremy Adler, Annalisa Alloatti, Max Bense, Mirella Bentivoglio, Alison Bielski, Claus Brem...
After World War II, New York City became an international cultural capital, and poets and artists fl...
This thesis examines concrete poetry in England and Scotland from 1962 to 1975. Through the 1950s-7...
The New Concrete is a long-overdue survey of the rise of concrete poetry in the digital age. The acc...
The identity of the global concrete movement has depended on a set of explicit and implicit categori...
This thesis examines the visual aspects of concrete poetry in the context of the new conditions of i...
This thesis explores the past and present of concrete poetry with the purpose of finding out whether...
The article discusses Edwin Morgan's transformation to concrete poetry where one of concrete's appea...
Documenting visual and poetry works, the authors focus on the history of concrete poetry, language, ...
Extensive interview with art historian, curator and concrete poet Stephen Bann by Gustavo Grandal Mo...
An analysis of the use of the term 'concrete' in twentieth-century art.PostprintPeer reviewe