We describe the MusicMiner system for organizing large collections of music with databionic mining techniques. Low level audio features are extracted from the raw audio data on short time windows during which the sound is assumed to be stationary. Static and temporal statistics were consistently and systematically used for aggregation of low level features to form high level features. A supervised feature selection targeted to model perceptual distance between different sounding music lead to a small set of non-redundant sound features. Clustering and visualization based on these feature vectors can discover emergent structures in collections of music. Visualization based on Emergent Self-Organizing Maps in particular enables the unsupervis...
Users interact a lot with their personal music collections, typically using standard text-based inte...
Users interact a lot with their personal music collections, typically using standard text-based inte...
Comunicació presentada a: 19th Sound and Music Computing Conference, celebrat del 5 al 12 de juny de...
We describe the MusicMiner system for organizing large collections of music with databionic mining t...
Different methods of organizing large collections of music with databionic mining techniques are des...
Different methods of organizing large collections of music with databionic mining techniques are des...
Different methods of organizing large collections of music with databionic mining techniques are des...
With Islands of Music we present a system which facili-tates exploration of music libraries without ...
The availability of large music collections calls for ways to efficiently access and explore them. W...
We present a novel, innovative user interface to music repositories. Given an arbitrary collection o...
We present a novel, innovative user interface to music repos-itories. Given an arbitrary collection ...
We present a content-based music collection exploration tool based on a variation of the Self-Organi...
While audio data play an increasingly central role in computer-based music production, interaction w...
While audio data play an increasingly central role in computer-based music production, interaction w...
Current online music portals and systems for the management of private music collections mainly conc...
Users interact a lot with their personal music collections, typically using standard text-based inte...
Users interact a lot with their personal music collections, typically using standard text-based inte...
Comunicació presentada a: 19th Sound and Music Computing Conference, celebrat del 5 al 12 de juny de...
We describe the MusicMiner system for organizing large collections of music with databionic mining t...
Different methods of organizing large collections of music with databionic mining techniques are des...
Different methods of organizing large collections of music with databionic mining techniques are des...
Different methods of organizing large collections of music with databionic mining techniques are des...
With Islands of Music we present a system which facili-tates exploration of music libraries without ...
The availability of large music collections calls for ways to efficiently access and explore them. W...
We present a novel, innovative user interface to music repositories. Given an arbitrary collection o...
We present a novel, innovative user interface to music repos-itories. Given an arbitrary collection ...
We present a content-based music collection exploration tool based on a variation of the Self-Organi...
While audio data play an increasingly central role in computer-based music production, interaction w...
While audio data play an increasingly central role in computer-based music production, interaction w...
Current online music portals and systems for the management of private music collections mainly conc...
Users interact a lot with their personal music collections, typically using standard text-based inte...
Users interact a lot with their personal music collections, typically using standard text-based inte...
Comunicació presentada a: 19th Sound and Music Computing Conference, celebrat del 5 al 12 de juny de...