We describe a series of experiments using sequential neural networks to model the effect of contextual bias in music cognition. The model quantifies the strength and specificity of a virtual listener’s expectations while listening to functional tonal harmonic chord sequences. The network integrates pools of duple and triple metric units with pitch class representations of chords. The ’listener ’ is then exposed to new chord sequences. We interpret the output of each sequential vector as the expectation for the next event. By representing segregated duple and triple metric beat units we visualize the process of metric cognition, and the mutual reliance of metric and functional harmonic expectations in establishing a percept of meter and a co...
In western music, harmonic expectations can be fulfilled or broken by unexpected chords. Musical ir...
The musical priming paradigm has shown facilitated processing for tonally related over less-related ...
Dalla Bella, Peretz, and Aronoff studied the effects of musical familiarity on melody recognition by...
We describe an extension of our model of music cognition based on fluctuations in the degree of real...
In Part I [Purwins H, Herrera P, Grachten M, Hazan A, Marxer R, Serra X. Computational models of mus...
The series of experiments presented in this dissertation elucidates the perceptual and cognitive pro...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
This dissertation utilizes a multi-method approach to investigate the processes underlying musical l...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
We present a review on perception and cognition models designed for or applicable to music. An empha...
Research in music cognition domain has shown that non musician listeners have implicit knowledge abo...
Western listeners become sensitive to the regularities of the Western tonal system by mere exposure ...
The musical priming paradigm has shown facilitated processing for tonally related over less-related ...
In western music, harmonic expectations can be fulfilled or broken by unexpected chords. Musical ir...
The musical priming paradigm has shown facilitated processing for tonally related over less-related ...
Dalla Bella, Peretz, and Aronoff studied the effects of musical familiarity on melody recognition by...
We describe an extension of our model of music cognition based on fluctuations in the degree of real...
In Part I [Purwins H, Herrera P, Grachten M, Hazan A, Marxer R, Serra X. Computational models of mus...
The series of experiments presented in this dissertation elucidates the perceptual and cognitive pro...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
This dissertation utilizes a multi-method approach to investigate the processes underlying musical l...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
We present a review on perception and cognition models designed for or applicable to music. An empha...
Research in music cognition domain has shown that non musician listeners have implicit knowledge abo...
Western listeners become sensitive to the regularities of the Western tonal system by mere exposure ...
The musical priming paradigm has shown facilitated processing for tonally related over less-related ...
In western music, harmonic expectations can be fulfilled or broken by unexpected chords. Musical ir...
The musical priming paradigm has shown facilitated processing for tonally related over less-related ...
Dalla Bella, Peretz, and Aronoff studied the effects of musical familiarity on melody recognition by...