This thesis presents the design of a Graphical User Interface (GUI) for computer-based sound synthesis to support users in the externalisation of their musical ideas when interacting with the system in order to create and manipulate sound. The approach taken consisted of three research stages. The first stage was the formulation of a novel visualisation framework to display perceptual dimensions of sound in visual terms. This framework was based on the findings of existing related studies and a series of empirical investigations of the associations between auditory and visual percepts that we performed for the first time in the area of computer-based sound synthesis. The results of our empirical investigations suggested associations between...
On the basis of expert literature the following B.A. thesis presents various aspects of the relation...
This study takes place in the framework of an ongoing research dealing with the analysis, synthesis ...
Music visualisation has become an integral part of music performance, appreciation and study. Even b...
This thesis presents the design of a Graphical User Interface (GUI) for computer-based sound synthes...
Available from British Library Document Supply Centre-DSC:DXN045394 / BLDSC - British Library Docume...
We describe a visualization strategy that is capable of effi-ciently representing relevant perceptua...
This paper describes a software prototype which allows visual composition and manipulation of everyd...
This paper describes the importance of the GUIs (Graphical User Interfaces) to the control of digita...
Recent advancements in digital technologies have dramatically extended the means of musical expressi...
The use of sound was explored as means for expressing perceptual attributes of visual textures. Two ...
International audienceThis article addresses the problem of the representation and creation of sound...
We propose a system of colour visualization of music based on a system of colour signs, which are co...
This thesis examines interactive sonification, in particular the design, implementation and evaluati...
Cross-modal correspondences between colour and sound or sound and colour are the basis for the colou...
In this paper, we propose a new painterly rendering technique for visualizing sound, based on correl...
On the basis of expert literature the following B.A. thesis presents various aspects of the relation...
This study takes place in the framework of an ongoing research dealing with the analysis, synthesis ...
Music visualisation has become an integral part of music performance, appreciation and study. Even b...
This thesis presents the design of a Graphical User Interface (GUI) for computer-based sound synthes...
Available from British Library Document Supply Centre-DSC:DXN045394 / BLDSC - British Library Docume...
We describe a visualization strategy that is capable of effi-ciently representing relevant perceptua...
This paper describes a software prototype which allows visual composition and manipulation of everyd...
This paper describes the importance of the GUIs (Graphical User Interfaces) to the control of digita...
Recent advancements in digital technologies have dramatically extended the means of musical expressi...
The use of sound was explored as means for expressing perceptual attributes of visual textures. Two ...
International audienceThis article addresses the problem of the representation and creation of sound...
We propose a system of colour visualization of music based on a system of colour signs, which are co...
This thesis examines interactive sonification, in particular the design, implementation and evaluati...
Cross-modal correspondences between colour and sound or sound and colour are the basis for the colou...
In this paper, we propose a new painterly rendering technique for visualizing sound, based on correl...
On the basis of expert literature the following B.A. thesis presents various aspects of the relation...
This study takes place in the framework of an ongoing research dealing with the analysis, synthesis ...
Music visualisation has become an integral part of music performance, appreciation and study. Even b...