Pluck, ring, rub, bang, strike, and squeeze are all simple gestures used in controlling music. A single motor/encoder plus a force-sensor has proved to be a useful platform for experimenting with haptic feedback in controlling computer music. The surprise is that the "best" haptics (precise, stable) may not be the most "musical"
This Open Access book offers an original interdisciplinary overview of the role of haptic feedback i...
Skilled interactions with sounding objects, such as drumming, rely on resolving the uncertainty in t...
Skilled interactions with sounding objects, such as drumming, rely on resolving the uncertainty in t...
Pluck, ring, rub, bang, strike, and squeeze are all simple gestures used in controlling music. A sin...
Haptic technology, providing force cues and creating a pro-grammable physical instrument interface, ...
Haptic technology, providing force cues and creating a programmable physical instrument interface, c...
Haptic technology, providing force cues and creating a pro-grammable physical instrument interface, ...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
The haptic hand is a greatly simplified robotic hand that is designed to mirror the human hand and p...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
Poster session - Conference website: http://www.eurohaptics.visio n.ee.ethz.ch/2004.shtmlInternation...
This chapter introduces to the concept of musical haptics, its scope, aims, challenges, as well as i...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
Haptic interfaces using active force-feedback have mostly been used for emulating existing instrumen...
This Open Access book offers an original interdisciplinary overview of the role of haptic feedback i...
Skilled interactions with sounding objects, such as drumming, rely on resolving the uncertainty in t...
Skilled interactions with sounding objects, such as drumming, rely on resolving the uncertainty in t...
Pluck, ring, rub, bang, strike, and squeeze are all simple gestures used in controlling music. A sin...
Haptic technology, providing force cues and creating a pro-grammable physical instrument interface, ...
Haptic technology, providing force cues and creating a programmable physical instrument interface, c...
Haptic technology, providing force cues and creating a pro-grammable physical instrument interface, ...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
The haptic hand is a greatly simplified robotic hand that is designed to mirror the human hand and p...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
Poster session - Conference website: http://www.eurohaptics.visio n.ee.ethz.ch/2004.shtmlInternation...
This chapter introduces to the concept of musical haptics, its scope, aims, challenges, as well as i...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
Haptic interfaces using active force-feedback have mostly been used for emulating existing instrumen...
This Open Access book offers an original interdisciplinary overview of the role of haptic feedback i...
Skilled interactions with sounding objects, such as drumming, rely on resolving the uncertainty in t...
Skilled interactions with sounding objects, such as drumming, rely on resolving the uncertainty in t...