Add to ORKGThis paper explores whether words used to describe pipe organ ensembles have correlation with specific spectral features. Similar previous work has concentrated on single pipes in anechoic conditions (e.g. Rioux, 2001). This work examines pipe organ ensembles as a cohesive whole
When basic phenomena of the physics of flue organ pipes is studied, experiments on models are accept...
At the Department of Acoustics of the Fraunhofer IBP in Stuttgart, Germany the Research Group of Mus...
Extended playing techniques, augmentation by live electronics, and hyperorgans have changed classica...
This paper explores whether words used to describe pipe organ ensembles have correlation with specif...
Sound recordings of twelve pipe organs from four European countries (six Baroque, two Romantic and f...
Timbral semantics is the study of adjectives relating to timbre. This thesis takes existing researc...
The sound recordings of twelve pipe organs from four European countries (six Baroque, two Romantic a...
Words used to describe timbre are usually difficult to define or relate to a measurable phenomenon. ...
cote interne IRCAM: Rioux01aNone / NoneNational audienceThis paper presents two exploratory experime...
This paper presents two exploratory experiments aimed at establishing a lexicon suitable for the des...
The paper deals with the dependency of tone timbre sensation in the real room on the listener’s posi...
This thesis presents a research study carried out in collaboration with a department of applied acou...
This work is focused on the problems of spectral analysis of flutes stops in organ pipes. The first ...
International audiencePipe organs are complex timbral synthesisers in an early acousmatic setting, w...
cote interne IRCAM: Rioux00aNone / NoneNational audienceThe transient sound from an organ pipe is a ...
When basic phenomena of the physics of flue organ pipes is studied, experiments on models are accept...
At the Department of Acoustics of the Fraunhofer IBP in Stuttgart, Germany the Research Group of Mus...
Extended playing techniques, augmentation by live electronics, and hyperorgans have changed classica...
This paper explores whether words used to describe pipe organ ensembles have correlation with specif...
Sound recordings of twelve pipe organs from four European countries (six Baroque, two Romantic and f...
Timbral semantics is the study of adjectives relating to timbre. This thesis takes existing researc...
The sound recordings of twelve pipe organs from four European countries (six Baroque, two Romantic a...
Words used to describe timbre are usually difficult to define or relate to a measurable phenomenon. ...
cote interne IRCAM: Rioux01aNone / NoneNational audienceThis paper presents two exploratory experime...
This paper presents two exploratory experiments aimed at establishing a lexicon suitable for the des...
The paper deals with the dependency of tone timbre sensation in the real room on the listener’s posi...
This thesis presents a research study carried out in collaboration with a department of applied acou...
This work is focused on the problems of spectral analysis of flutes stops in organ pipes. The first ...
International audiencePipe organs are complex timbral synthesisers in an early acousmatic setting, w...
cote interne IRCAM: Rioux00aNone / NoneNational audienceThe transient sound from an organ pipe is a ...
When basic phenomena of the physics of flue organ pipes is studied, experiments on models are accept...
At the Department of Acoustics of the Fraunhofer IBP in Stuttgart, Germany the Research Group of Mus...
Extended playing techniques, augmentation by live electronics, and hyperorgans have changed classica...