We improve the promising Colour by Correlation method for computational colour constancy by modifying it to work in a three dimensional colour space. The previous version of the algorithm uses only the chromaticity of the input, and thus cannot make use of the information inherent in the pixel brightness. Our work is thus motivated by two observations. First, based on pervious work with the related gamutmapping class of algorithms, we know that the pixel brightness can make a substantial contribution to colour constancy, even if only the chromaticity of the illuminant is sought. Second, the success of the initial version of Colour by Correlation indicates that its use of statistical knowledge about the world is also useful for colour consta...
Color constancy refers to a stable psychological tendency in perception even the lighting circumstan...
In this thesis, we propose methods for estimation of the colour of the illuminant. First, we investi...
In this paper we propose that two images are captured of every scene: a normal image and an image ca...
Computational colour constancy tries to recover the colour of the scene illuminant of an image. Colo...
The color of a scene recorded by a trichromatic sensor varies with the spectral distribution of the ...
Colour constancy algorithms are typically divided into physics-based techniques which exploit the ph...
Statistics-based colour constancy algorithms work well as long as there are many colours in a scene,...
Statistics-based colour constancy algorithms work well as long as there are many colours in a scene,...
We present an algorithm which uses information from both surface reflectance and illumination variat...
We present a re-evaluation of previous experimental data for five different colour constancy algorit...
In this paper a description of some of the most common colour constancy algorithms is presented. Gra...
Abstract—Finding color representations which are stable to illuminant changes is still an open probl...
There is a growing trend in machine color constancy research to use only image chromaticity informat...
In general, computational methods to estimate the color of the light source are based on single, low...
Attributes of colour images have been found which allow colour and lightness constancy to be comput...
Color constancy refers to a stable psychological tendency in perception even the lighting circumstan...
In this thesis, we propose methods for estimation of the colour of the illuminant. First, we investi...
In this paper we propose that two images are captured of every scene: a normal image and an image ca...
Computational colour constancy tries to recover the colour of the scene illuminant of an image. Colo...
The color of a scene recorded by a trichromatic sensor varies with the spectral distribution of the ...
Colour constancy algorithms are typically divided into physics-based techniques which exploit the ph...
Statistics-based colour constancy algorithms work well as long as there are many colours in a scene,...
Statistics-based colour constancy algorithms work well as long as there are many colours in a scene,...
We present an algorithm which uses information from both surface reflectance and illumination variat...
We present a re-evaluation of previous experimental data for five different colour constancy algorit...
In this paper a description of some of the most common colour constancy algorithms is presented. Gra...
Abstract—Finding color representations which are stable to illuminant changes is still an open probl...
There is a growing trend in machine color constancy research to use only image chromaticity informat...
In general, computational methods to estimate the color of the light source are based on single, low...
Attributes of colour images have been found which allow colour and lightness constancy to be comput...
Color constancy refers to a stable psychological tendency in perception even the lighting circumstan...
In this thesis, we propose methods for estimation of the colour of the illuminant. First, we investi...
In this paper we propose that two images are captured of every scene: a normal image and an image ca...