We describe a system for determining a random palette providing color juxtaposition in digital images, both synthetic and scanned. The result can be significantly increased visual richness and sophistication in color usage. The Generalized Impressionistic Texture Matrix Generator F. Kenton Musgrave Myeong Lim The George Washington University 20101 Academic Way Ashburn, VA 22011 (703) 729-8254 (703) 729-8251 (fax) musgrave@seas.gwu.edu Abstract We describe a system for determining a random palette providing color juxtaposition in digital images, both synthetic and scanned. The result can be significantly increased visual richness and sophistication in color usage. Introduction Two salient features distinguishing paintings from computer grap...
Two models are presented for the generation of isotropic textures. The underlying constituents of th...
The development and evaluation of texture synthesis algorithms is discussed. We present texture synt...
Johannes Itten wrote in the 1920is that seven distinct possibilities exist for the contrast of color...
This paper presents several methods for shading meshes from scanned paint samples that represent dar...
As a major branch of Non-Photorealistic Rendering (NPR), image stylization mainly uses computer algo...
We present a user-centered approach to image-based texture synthesis. The synthesis uses a user-defi...
Painting is an art form that has long functioned as a major channel for the creative expression and ...
AbstractTraditionally, texture perception has been studied using artificial textures made of random ...
Photorealistic Image Synthesis is a relevant research and application field in computer graphics, wh...
Artists often want to change the colors of an image to achieve a particular aesthetic goal. For exam...
Procedural textures have significant advantages over image textures. Procedural textures are compact...
Due to the numerous applications, textures reserve significant interest in many scientific fields. S...
Traditionally, the analysis of visual arts is performed by human art experts only. The availability...
Large textures that can provide realistic details are widely used in modeling, gaming, art design, e...
Traditionally, the analysis of visual arts is performed by human art experts only. The availability ...
Two models are presented for the generation of isotropic textures. The underlying constituents of th...
The development and evaluation of texture synthesis algorithms is discussed. We present texture synt...
Johannes Itten wrote in the 1920is that seven distinct possibilities exist for the contrast of color...
This paper presents several methods for shading meshes from scanned paint samples that represent dar...
As a major branch of Non-Photorealistic Rendering (NPR), image stylization mainly uses computer algo...
We present a user-centered approach to image-based texture synthesis. The synthesis uses a user-defi...
Painting is an art form that has long functioned as a major channel for the creative expression and ...
AbstractTraditionally, texture perception has been studied using artificial textures made of random ...
Photorealistic Image Synthesis is a relevant research and application field in computer graphics, wh...
Artists often want to change the colors of an image to achieve a particular aesthetic goal. For exam...
Procedural textures have significant advantages over image textures. Procedural textures are compact...
Due to the numerous applications, textures reserve significant interest in many scientific fields. S...
Traditionally, the analysis of visual arts is performed by human art experts only. The availability...
Large textures that can provide realistic details are widely used in modeling, gaming, art design, e...
Traditionally, the analysis of visual arts is performed by human art experts only. The availability ...
Two models are presented for the generation of isotropic textures. The underlying constituents of th...
The development and evaluation of texture synthesis algorithms is discussed. We present texture synt...
Johannes Itten wrote in the 1920is that seven distinct possibilities exist for the contrast of color...