ABSTRACT: This commentary on Greasley and Prior’s paper “Mixtapes and turntablism: DJs ’ perspective on musical shape ” extends the findings of the study by looking at the turntablism perspective. First, a general discussion on the study’s method and background is given. Then, the role of turntables as musical instruments in creating musical shape is outlined. Finally, some relationships between turntablism techniques, expressive performances and musical shape are presented. In general, the findings in the study support previously published studies in this insufficiently researched area
The results of a preliminary study of the audio-visual cor-respondence between musical timbre and vi...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
In this paper I explore the challenges of the “affective turn” and map new avenues of music resea...
This commentary to Greasley and Prior’s paper “Mixtapes and turntablism: DJs’ perspective on musical...
The notion of musical shape is widely used by performing musicians, but most studies have focussed o...
This commentary responds to some of the debates and issues raised by Alinka Greasley and Helen Prior...
Musicians and other music professionals often use the notion of shape when they talk or think about ...
Abstract Previous studies of performing musicians have examined performance preparation and its conc...
The focal point of the work is the turntable and DJ (or Disk Jockey; one who controls the turntables...
Much of the research on musical shaping in performance focuses on Western classical music. Although ...
Visualising sound and music can give rise to valuable insights into music cognition. In this experim...
The work here presented is a reaction to a number of issues within contemporary turntablism. Firstly...
The advent of recording technology has presented challenges to traditional musical analytical method...
Turntable musicians have yet to explore new expressions with digital technology. New higher-level de...
Music is a very human means of creating, exploring and communicating abstract ideas and emotions. Th...
The results of a preliminary study of the audio-visual cor-respondence between musical timbre and vi...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
In this paper I explore the challenges of the “affective turn” and map new avenues of music resea...
This commentary to Greasley and Prior’s paper “Mixtapes and turntablism: DJs’ perspective on musical...
The notion of musical shape is widely used by performing musicians, but most studies have focussed o...
This commentary responds to some of the debates and issues raised by Alinka Greasley and Helen Prior...
Musicians and other music professionals often use the notion of shape when they talk or think about ...
Abstract Previous studies of performing musicians have examined performance preparation and its conc...
The focal point of the work is the turntable and DJ (or Disk Jockey; one who controls the turntables...
Much of the research on musical shaping in performance focuses on Western classical music. Although ...
Visualising sound and music can give rise to valuable insights into music cognition. In this experim...
The work here presented is a reaction to a number of issues within contemporary turntablism. Firstly...
The advent of recording technology has presented challenges to traditional musical analytical method...
Turntable musicians have yet to explore new expressions with digital technology. New higher-level de...
Music is a very human means of creating, exploring and communicating abstract ideas and emotions. Th...
The results of a preliminary study of the audio-visual cor-respondence between musical timbre and vi...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
In this paper I explore the challenges of the “affective turn” and map new avenues of music resea...