The purpose of this document is to categorize discrepancies of scoring between instrumental ensemble works and their transcriptions according to their effect on score preparation, conducting gestures, and rehearsal technique. This is done through examining six cornerstone pieces by three master composers, representing a variety of ensemble mediums from which transcriptions were made, and their respective wind octet or string ensemble transcriptions.U of I OnlySchool of Music polic
ARRANGEMENT I. Concert Band arrangement of Sonata Opus 10, Number 2, Ludwig von Beethoven, Allegrett...
The study of a composition in preparation for rehearsal and subsequent performance is one of the mos...
Transcription is a tool that has been used throughout history by composers. This document explores t...
The purpose of this document is to categorize discrepancies of scoring between instrumental ensemble...
An examination of twenty-six wind band transcriptions from orchestral, operatic, keyboard and choral...
The purpose of this document is to examine five representative wind band transcriptions (a 19th cent...
The purpose of this document is to examine five representative wind band transcriptions (a 19th cent...
The purpose of this document is to examine five representative wind band transcriptions (a 19th cent...
The purpose of this document is to examine five representative wind band transcriptions (a 19th cent...
This document demonstrates that Keith Wilson's transcription of Hindemith's Symphonic Metamorphosis ...
The purpose of this study was to investigate, identify and describe John Philip Sousa's techniques i...
Transcriptions are often deemed as less important than their original models. The accessibility to o...
This document discusses the transcription process of creating a wind orchestra transcription of Geor...
Lecture Recital Document (Digitized from holdings at the Fine Arts Library, University of Arizona Li...
Transcription is a tool that has been used throughout history by composers. This document explores t...
ARRANGEMENT I. Concert Band arrangement of Sonata Opus 10, Number 2, Ludwig von Beethoven, Allegrett...
The study of a composition in preparation for rehearsal and subsequent performance is one of the mos...
Transcription is a tool that has been used throughout history by composers. This document explores t...
The purpose of this document is to categorize discrepancies of scoring between instrumental ensemble...
An examination of twenty-six wind band transcriptions from orchestral, operatic, keyboard and choral...
The purpose of this document is to examine five representative wind band transcriptions (a 19th cent...
The purpose of this document is to examine five representative wind band transcriptions (a 19th cent...
The purpose of this document is to examine five representative wind band transcriptions (a 19th cent...
The purpose of this document is to examine five representative wind band transcriptions (a 19th cent...
This document demonstrates that Keith Wilson's transcription of Hindemith's Symphonic Metamorphosis ...
The purpose of this study was to investigate, identify and describe John Philip Sousa's techniques i...
Transcriptions are often deemed as less important than their original models. The accessibility to o...
This document discusses the transcription process of creating a wind orchestra transcription of Geor...
Lecture Recital Document (Digitized from holdings at the Fine Arts Library, University of Arizona Li...
Transcription is a tool that has been used throughout history by composers. This document explores t...
ARRANGEMENT I. Concert Band arrangement of Sonata Opus 10, Number 2, Ludwig von Beethoven, Allegrett...
The study of a composition in preparation for rehearsal and subsequent performance is one of the mos...
Transcription is a tool that has been used throughout history by composers. This document explores t...