Add to ORKGPhysical and mental suffering: mutilation, searing pain and trauma can be given context and even made to work for our best interests; we have a long history of bloody myths and fairy tales and a modern history of updating these in the premier medium of time, film. No matter how great the external impact on the body, so long as we survive it’s the mind that suffers and the mind that remains malleable to change and redemption, if we can face the true obstacles those we give force to with our own mental activity
This chapter considers the ways in which some artists convert their private trauma into public works...
This doctoral project encompasses an investigation of embodiment1 in relation to ideas about human ...
The Body. The Art. The Psyche is a series that delves into the psyche behind doing body art. What dr...
In The Effectiveness of Symbols (1972), Claude Levi-Strauss recounts the experience of a woman under...
In contending that sections of Western society seek to conform to the myth of the perfect body image...
At the root, my work is about pain. It is about what to do with and how to hold and survive pain wit...
This paper explores how the human mechanisms of gene expression may be used in novel artistic practi...
Personal and societal transformation is channelled directly through the body of the artist in the ri...
What I am intrigued by is the individual and interpersonal power of a tattoo to transform and rewrit...
Most modern people would never describe the wounded body as beautiful or seductive. They call it per...
The beautiful human body has perennially occupied a central space in art. Both art and aesthetics ma...
Since its publication in 1985, Elaine Scarry's The Body in Pain has become a seminal text in the stu...
The aim of this paper is the contemplation of the mineness-otherness relation of being triggered by ...
This article examines how the body in Pedro Almodóvar’s The Skin I Live In (2011) is incorporated in...
This article firstly analyzes a practical exercise of re-staging iconic violent images through actor...
This chapter considers the ways in which some artists convert their private trauma into public works...
This doctoral project encompasses an investigation of embodiment1 in relation to ideas about human ...
The Body. The Art. The Psyche is a series that delves into the psyche behind doing body art. What dr...
In The Effectiveness of Symbols (1972), Claude Levi-Strauss recounts the experience of a woman under...
In contending that sections of Western society seek to conform to the myth of the perfect body image...
At the root, my work is about pain. It is about what to do with and how to hold and survive pain wit...
This paper explores how the human mechanisms of gene expression may be used in novel artistic practi...
Personal and societal transformation is channelled directly through the body of the artist in the ri...
What I am intrigued by is the individual and interpersonal power of a tattoo to transform and rewrit...
Most modern people would never describe the wounded body as beautiful or seductive. They call it per...
The beautiful human body has perennially occupied a central space in art. Both art and aesthetics ma...
Since its publication in 1985, Elaine Scarry's The Body in Pain has become a seminal text in the stu...
The aim of this paper is the contemplation of the mineness-otherness relation of being triggered by ...
This article examines how the body in Pedro Almodóvar’s The Skin I Live In (2011) is incorporated in...
This article firstly analyzes a practical exercise of re-staging iconic violent images through actor...
This chapter considers the ways in which some artists convert their private trauma into public works...
This doctoral project encompasses an investigation of embodiment1 in relation to ideas about human ...
The Body. The Art. The Psyche is a series that delves into the psyche behind doing body art. What dr...