Add to ORKGThe International Exhibition of Music and Theatre was a cristalization point for the way, music was produced, distributed and perceived in the 20th Century. Modernity, innovation, fashion, technology, historicism, commodification and branding play a crucial role in the modification of the modern musical experience
About the book: In this volume the creators wished to investigate the intersection between the Indu...
Commodification has been an inherent aspect of music for many centuries. The aggregation of the dive...
This chapter investigates the revival of cultural and scientific internationalism after the First Wo...
This is the first introductory survey of western twentieth-century music to address popular music, a...
In the interwar period, the gramophone rapidly spread as a medium for music. This development accomp...
Changes in the music of the twentieth century have usually observed from the perspective of the comp...
An investigation into the nature of immanence, musical ideas and thought invested in a ground-breaki...
© 2018 Dr Sarah KirbyBetween 1879 and 1890 there was barely a year in which an international exhibit...
Le xxe siècle a vu se transformer en profondeur les conditions de production, de diffusion et de réc...
This paper explores the historical progression of the technological development of records and radio...
The World’s Fair had long been a showcase of the progress and enlightenment of the modern Western na...
International audienceMy own speciality is the British music-hall, especially its later period, afte...
In recent years, heritage discourse has shifted from objects to social, intangible practices. Regard...
Rather than the objects housed in museums, it is the intangible cultural heritage, as it is performe...
It is undeniable that technology has made a tangible impact on the nature of musical listening. The...
About the book: In this volume the creators wished to investigate the intersection between the Indu...
Commodification has been an inherent aspect of music for many centuries. The aggregation of the dive...
This chapter investigates the revival of cultural and scientific internationalism after the First Wo...
This is the first introductory survey of western twentieth-century music to address popular music, a...
In the interwar period, the gramophone rapidly spread as a medium for music. This development accomp...
Changes in the music of the twentieth century have usually observed from the perspective of the comp...
An investigation into the nature of immanence, musical ideas and thought invested in a ground-breaki...
© 2018 Dr Sarah KirbyBetween 1879 and 1890 there was barely a year in which an international exhibit...
Le xxe siècle a vu se transformer en profondeur les conditions de production, de diffusion et de réc...
This paper explores the historical progression of the technological development of records and radio...
The World’s Fair had long been a showcase of the progress and enlightenment of the modern Western na...
International audienceMy own speciality is the British music-hall, especially its later period, afte...
In recent years, heritage discourse has shifted from objects to social, intangible practices. Regard...
Rather than the objects housed in museums, it is the intangible cultural heritage, as it is performe...
It is undeniable that technology has made a tangible impact on the nature of musical listening. The...
About the book: In this volume the creators wished to investigate the intersection between the Indu...
Commodification has been an inherent aspect of music for many centuries. The aggregation of the dive...
This chapter investigates the revival of cultural and scientific internationalism after the First Wo...