Add to ORKGThis paper documents the creation of the experimental concert series Noizemaschin!!, and the emergent model of live performance on which the series was built. Noizemaschin!! was created in response to the lack of a regular experimental music night in Perth, utilising an innovative format that emphasized variety. In an attempt tos tand out from the existing culture of experimental music, and experimental music performance, Noizemaschin!! billed itself as a noise gig, and reinforced this with a unique approach to curation, format, and community engagement. With Noizemaschin!! celebrating its fourth \u27birth-a-versary\u27 in 2015, this paper concludes with a discussion of the role we hope Noizemaschin!! will play in Perth\u27s experimental mu...
This paper surveys developments in recent Western Australian electronic music through the work of a ...
Depuis les premières expériences de John Cage et de Pierre Schaeffer jusqu’aux hybridations bruitist...
This chapter presents two practitioner accounts by co-authors Theo Gowans and Dave Procter concernin...
This paper attempts to provide an overview of the development of experimental electronic music in Pe...
This project explores the do-it-yourself (“DIY”) practices of Melbourne experimental and independent...
This paper presents a survey of some key experimental electronic music scenes in Australia in the 19...
This paper discusses the role of the live music environment in the development and sustaining of loc...
Live music plays a central role in the cultural life of cities. It provides an enticing entertainmen...
Since the late 19th century there have been issues with the presentation and reception of sound and ...
This project presents a multimedia performance and a written exegesis. It will focus on the way crea...
Die vorliegende Diplomarbeit befasst sich mit dem Themengebiet der noise music(s), welche in der Tra...
Just as music is fundamental to the vibrancy of cities and regions, venues are central to music. Wit...
The Restrung New Chamber Festival was a practice-led research project which explored the\ud intricac...
Noise Peddler is a part-composed, part-improvised performance for two people, two pedalboards, and f...
This article explores the concept of musical liveness, and seeks to clarify how digital technologies...
This paper surveys developments in recent Western Australian electronic music through the work of a ...
Depuis les premières expériences de John Cage et de Pierre Schaeffer jusqu’aux hybridations bruitist...
This chapter presents two practitioner accounts by co-authors Theo Gowans and Dave Procter concernin...
This paper attempts to provide an overview of the development of experimental electronic music in Pe...
This project explores the do-it-yourself (“DIY”) practices of Melbourne experimental and independent...
This paper presents a survey of some key experimental electronic music scenes in Australia in the 19...
This paper discusses the role of the live music environment in the development and sustaining of loc...
Live music plays a central role in the cultural life of cities. It provides an enticing entertainmen...
Since the late 19th century there have been issues with the presentation and reception of sound and ...
This project presents a multimedia performance and a written exegesis. It will focus on the way crea...
Die vorliegende Diplomarbeit befasst sich mit dem Themengebiet der noise music(s), welche in der Tra...
Just as music is fundamental to the vibrancy of cities and regions, venues are central to music. Wit...
The Restrung New Chamber Festival was a practice-led research project which explored the\ud intricac...
Noise Peddler is a part-composed, part-improvised performance for two people, two pedalboards, and f...
This article explores the concept of musical liveness, and seeks to clarify how digital technologies...
This paper surveys developments in recent Western Australian electronic music through the work of a ...
Depuis les premières expériences de John Cage et de Pierre Schaeffer jusqu’aux hybridations bruitist...
This chapter presents two practitioner accounts by co-authors Theo Gowans and Dave Procter concernin...