Gottfried Michael Koenig’s Funktion series of pieces written in the late 1960s used voltage control to realise his ambitions for greater automation of the realisation process of electronic music. His realisation score for this piece allows the possibility for the Funktion pieces to be recreated, but because the score is divided into two main sections – realising the raw materials, and assembling each Funktion version – it is possible to develop one’s own version, based on the same raw materials. This paper springs from my own realisation of Koenig’s raw materials using a combination of historic and contemporary technologies, combined with interview and archival data to examine the more ambiguous areas in the score and how that relates to...
The Modul 69 B is one of the more esoteric electronic musical instruments used by Karlheinz Stockhau...
This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University...
Only around 26 of these synthesizers were built, and in the early 1970s each one cost about as much ...
A performance of Karlheinz Stockhausen's "Kontakte" for four channel tape, using historic sound proj...
The presentation of electronic musical instruments in museum and other institutional contexts prompt...
Since the digitization of the realization tapes of Karlheinz Stockhausen’s Gesang der Jünglinge (Sto...
While musicians have been performing with electronics for nearly a century, there still exists very ...
In the 1950s using electronic devices to make music seemed like a new paradigm for composers eager t...
The Synthi 100 never lived up to its promise. Some of its features were terribly badly implemented, ...
This thesis examines the practices and techniques involved with particular electronic instruments an...
For many electroacoustic music composers, focus is more directed toward timbral and textural approac...
Through full and part re-realisations of Stockhausen’s Studie II, and Gesang der Jünglinge, some aff...
During my Master’s degree I created a series of electronic collage compositions by superimposing pre...
In the 1950s using electronic devices to make music seemed like a new paradigm for composers eager t...
The history of electronic music in Germany seems to have started with the establishment of the NWDR’...
The Modul 69 B is one of the more esoteric electronic musical instruments used by Karlheinz Stockhau...
This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University...
Only around 26 of these synthesizers were built, and in the early 1970s each one cost about as much ...
A performance of Karlheinz Stockhausen's "Kontakte" for four channel tape, using historic sound proj...
The presentation of electronic musical instruments in museum and other institutional contexts prompt...
Since the digitization of the realization tapes of Karlheinz Stockhausen’s Gesang der Jünglinge (Sto...
While musicians have been performing with electronics for nearly a century, there still exists very ...
In the 1950s using electronic devices to make music seemed like a new paradigm for composers eager t...
The Synthi 100 never lived up to its promise. Some of its features were terribly badly implemented, ...
This thesis examines the practices and techniques involved with particular electronic instruments an...
For many electroacoustic music composers, focus is more directed toward timbral and textural approac...
Through full and part re-realisations of Stockhausen’s Studie II, and Gesang der Jünglinge, some aff...
During my Master’s degree I created a series of electronic collage compositions by superimposing pre...
In the 1950s using electronic devices to make music seemed like a new paradigm for composers eager t...
The history of electronic music in Germany seems to have started with the establishment of the NWDR’...
The Modul 69 B is one of the more esoteric electronic musical instruments used by Karlheinz Stockhau...
This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University...
Only around 26 of these synthesizers were built, and in the early 1970s each one cost about as much ...