This research presents the gap contemporary curatorial discourses have in terms of feminist theory and work, as well as the gap principal contemporary discourses on feminisms and curating have in terms of discursive curatorial practices and independent curatorship. I argue, that the current discussions on feminisms and curating are narrowed down by governing art historical approaches, in which focus remains on representation instead of curatorial practice. Focusing primarily on exhibitions presenting art by feminist and/or women artists, the critique remains in the ways exhibitions are framed in terms of art historical narratives within museum institutions. The paradigm of feminist curating needs to be shifted to the realm of the curator...
This PhD explores how the female body can parody histories of objectification, and conventions of ap...
This is the second special issue of the Journal of Curatorial Studies on how affect theory has infor...
This article considers the relationship between action (Arendt) and aesthetics in curatorial project...
This research portfolio investigates an affective approach to contemporary curatorial practice that ...
Helena Reckitt moderated this discussion on the affective turn in curating and society more broadly,...
This article considers the changing definitions of curatorial labour in the light of affective econo...
The co-editors introduce the second special issue of the Journal of Curatorial Studies which explore...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
This article outlines a proactive feminist curatorial methodology to encourage feminist curated exhi...
This essay charts a journey through a series of concentric circles. Like a pebble dropped into a sti...
In this submission, I argue for a re-thinking of the concept of an artist's oeuvre, to extend it con...
A conversation between curator and art historian Gabrielle Moser and curator Helena Reckitt on the c...
A conversation between curator and art historian Gabrielle Moser and curator Helena Reckitt on the c...
The present research belongs to the line of Creation and Poetic Processes of the Daily Life, of the...
Curators and their partners are working in a contested field, in which the meanings of institutions,...
This PhD explores how the female body can parody histories of objectification, and conventions of ap...
This is the second special issue of the Journal of Curatorial Studies on how affect theory has infor...
This article considers the relationship between action (Arendt) and aesthetics in curatorial project...
This research portfolio investigates an affective approach to contemporary curatorial practice that ...
Helena Reckitt moderated this discussion on the affective turn in curating and society more broadly,...
This article considers the changing definitions of curatorial labour in the light of affective econo...
The co-editors introduce the second special issue of the Journal of Curatorial Studies which explore...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
This article outlines a proactive feminist curatorial methodology to encourage feminist curated exhi...
This essay charts a journey through a series of concentric circles. Like a pebble dropped into a sti...
In this submission, I argue for a re-thinking of the concept of an artist's oeuvre, to extend it con...
A conversation between curator and art historian Gabrielle Moser and curator Helena Reckitt on the c...
A conversation between curator and art historian Gabrielle Moser and curator Helena Reckitt on the c...
The present research belongs to the line of Creation and Poetic Processes of the Daily Life, of the...
Curators and their partners are working in a contested field, in which the meanings of institutions,...
This PhD explores how the female body can parody histories of objectification, and conventions of ap...
This is the second special issue of the Journal of Curatorial Studies on how affect theory has infor...
This article considers the relationship between action (Arendt) and aesthetics in curatorial project...